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By Daniel Künzler on March 19, 2013
By Daniel Künzler on 19 March 2013 in
BLOG
Kenyan musician Bamzigi was flying ahead of the current electronic dance music craze from South Africa and Angola. However, his eclectic mix Mizuka resonates more abroad than in Kenya where he is not invited for performances.
Posted in BLOG | Tagged 3050 Muzik, Africa, Bamzigi, Global Ghettotech, Harrison Munio, Mizuka, Mombasa, Necessary Noize, Transnationalism, Wawesh, World Music 2.0 |
By Norient on June 27, 2010
By Wayne Marshall on 27 June 2010 in
STORIES
That beat you’ve been hearing — the steady boom-ch-boom-chick rattling the trunks of passing cars and moving masses in the club — isn’t just another fleeting hip-hop trend. It’s the new sound of the Americas.
Posted in STORIES | Tagged Dem Bow, Dossier World Music 2.0, Globale Nischen, Hybridity, Latin America, New York, Panama, Puerto Rico, reggaeton, Transnationalism, Wayne Marshall, World Music 2.0 |
By Norient on March 26, 2008
By Camilo Rocha on 26 March 2008 in
STORIES
Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.
Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 |
By Klaus Raab on October 17, 2007
By Klaus Raab on 17 October 2007 in
STORIES
Shaggy ist in Kingston, Jamaika, geboren und hat 1996 einen Grammy für das beste Reggae-Album bekommen. Das qualifiziert ihn dafür, Dar es Salaams größte Halle fast auszuverkaufen, obwohl jedes Ticket 18 Euro kostet, ein gutes Viertel eines durchschnittlichen tansanischen Monatslohns.
Posted in STORIES | Tagged Africa, Dar es Salaam, Jamaica, Kingston, Reggae, Shaggy, Tanzania, Transnationalism |