Norient
Network for Local and Global Sounds and Media Culture
     
May 19th 2013 norient
  • Deutsch
  • English
  • *
MAGAZINE BLOG      STORIES       ACADEMIC       AUDIO       VIDEO       EVENTS DONATIONS       ABOUT
Browse: Home / Transnationalism

Transnationalism

Eclectic Dance Music from Kenya

Eclectic Dance Music from Kenya

By Daniel Künzler on March 19, 2013

By Daniel Künzler on 19 March 2013 in  BLOG

Kenyan musician Bamzigi was flying ahead of the current electronic dance music craze from South Africa and Angola. However, his eclectic mix Mizuka resonates more abroad than in Kenya where he is not invited for performances.

Posted in BLOG | Tagged 3050 Muzik, Africa, Bamzigi, Global Ghettotech, Harrison Munio, Mizuka, Mombasa, Necessary Noize, Transnationalism, Wawesh, World Music 2.0 | Leave a response

The Rise of Reggaeton

The Rise of Reggaeton

By Norient on June 27, 2010

By Wayne Marshall on 27 June 2010 in  STORIES

That beat you’ve been hearing — the steady boom-ch-boom-chick rattling the trunks of passing cars and moving masses in the club — isn’t just another fleeting hip-hop trend. It’s the new sound of the Americas.

Posted in STORIES | Tagged Dem Bow, Dossier World Music 2.0, Globale Nischen, Hybridity, Latin America, New York, Panama, Puerto Rico, reggaeton, Transnationalism, Wayne Marshall, World Music 2.0 | 2 Responses

“Globalists” seek Peripheral Sounds

“Globalists” seek Peripheral Sounds

By Norient on March 26, 2008

By Camilo Rocha on 26 March 2008 in  STORIES

Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.

Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 | Leave a response

Shaggy in Tansania

Shaggy in Tansania

By Klaus Raab on October 17, 2007

By Klaus Raab on 17 October 2007 in  STORIES

Shaggy ist in Kingston, Jamaika, geboren und hat 1996 einen Grammy für das beste Reggae-Album bekommen. Das qualifiziert ihn dafür, Dar es Salaams größte Halle fast auszuverkaufen, obwohl jedes Ticket 18 Euro kostet, ein gutes Viertel eines durchschnittlichen tansanischen Monatslohns.

Posted in STORIES | Tagged Africa, Dar es Salaam, Jamaica, Kingston, Reggae, Shaggy, Tanzania, Transnationalism | Leave a response

SUBSCRIBE AND CONNECT

rssfeed_icon   Subscribe to the RSS-Feed
newsletter_icon   Subscribe to the Norient Newsletter
mail_icon   Send an E-Mail to Norient
facebook_icon   Join Norient on Facebook
twitter_icon   Follow Norient on Twitter

SEARCH

NORIENT-MAI-2013-MIX

NORIENT BOOK ON MUSIC AND GLOBALIZATION

arabworld

VIDEO PICK: SYNCHRONIZING METRONOMES

SONIC TRACES – RADIO SHOW – 10 JUNI 2013

radio show

VIDEO PICK: GYORGI LIGETI

RANDOM MIXES AND PODCASTS

NORIENT ACADEMIC ONLINE JOURNAL

radio show

5. NORIENT MUSIKFILM FESTIVAL BERN (01/2014)

festival

DOSSIER

arabworld
ARAB WORLD

New Sounds and Noises from the Arab World.

TAG CLOUD

2. Norient Musikfilm Festival 3. Norient Musikfilm Festival 2012 4. Norient Musikfilm Festival Africa Arab World Asia Balkans Beirut Bern Cairo Censorship Cumbia Documentary Film Dossier Arab World Dossier South Africa Dossier World Music 2.0 dubstep Egypt Europe Ghana Globale Nischen Global Ghettotech Hip Hop India Jazz kuduro kwaito Latin America Lebanon London Metal Neue Volksmusik New York Noise Norient Musikfilm Festival Punk Raed Yassin Rap Sonic Traces: From Switzerland Soundscapes South Africa Swiss Music Switzerland Thomas Burkhalter UK USA Volksmusik Wildlife World Music 2.0 Zurich
Show All Tags »

POPULAR ARTICLES

  • Sonic Traces: From Switzerland
  • Golden Beirut-New Sounds from Lebanon
  • 3. Norient Musikfilm Festival 2012
  • 5. Norient Musikfilm Festival 2014
  • Sissy Bounce Rap from New Orleans
  • 2. Norient Musikfilm Festival 2011
  • Weltmusik 2.0: Zwischen Spass- und Protestkultur
  • Weltmusik 2.0: Zwischen Spass- und Protestkultur
  • M.I.A. Pop
  • Im Rhythmus der Revolution

RECOMMENDED ARTICLES

  • An Italian in Casablanca
  • Hip-Hop ist nicht blosse Unterhaltung
  • Music from Saharan Cellphones
  • UK-Funky Mixtape
  • Arabesque vs Schweizerbesque


Copyright © 2013 VEREIN NORIENT, Lorrainestrasse 19, 3013 Bern, Switzerland. LOGIN