Browse: Home / Tam Tam Motherland
By Norient on January 18, 2013
By Norient on 18 January 2013 in
BLOG
Das 4. Norient Musikfilm Festivals nahm sein Publikum mit nach New Orleans, in die Black-Metal-Abgründe nach Norwegen, nach Bulgarien und in die imaginäre Republik Kadebostany. Ein nicht ganz nostalgiefreier Rückblick.
Posted in BLOG | Tagged 4. Norient Musikfilm Festival, Aaron Aites, Audrey Ewell, bee-flat, Big Freedia, Bounce, Bury The Hatchet, Chalga, Children of the Bible, Club Bonsoir, Desi Slava, Documentary Film, Duboka Ilegala, Gay Culture, GayBern, Jeremy Cool Habasch, Kadebostan, Kadebostany, Kino der Reitschule Bern, Liquid Land, Little-Big, Metal, Miz Mockingbird, Motherland Soundsystem, National Fanfare of Kadebostany, Nebojsa Despotovic, Norient 012, Norient Musikfilm Festival, Out of the Absurdity of Life. Globale Musik., Queer, r3s3t, Renee Moncada, Satanism, Tam Tam Motherland, Trash, Until the Light Takes Us, Wildlife, Yassen Grigorov |
By Norient on January 14, 2013
By Norient on 14 January 2013 in
EVENTS
Das 4. Norient Musikfilm Festival lädt vom 10.1-13.1.2013 in Bern zur Queer-Party mit Big Freedia, zu Strobo-Gewitter aus Kadebostan, Filmen zu New Orleans, Black Metal und Satanismus, Chalga-Pop, und vielem mehr.
Posted in EVENTS | Tagged 4. Norient Musikfilm Festival, bee-flat, Big Freedia, Black Metal, Bounce, Bulgaria, Bury The Hatchet, Chalga, Children of the Bible, Club Bonsoir, Desi Slava, Documentary Film, Duboka Ilegala, Gay Culture, GayBern, Jeremy Cool Habasch, Kadebostan, Kadebostany, Kino der Reitschule Bern, Liquid Land, Metal, Miz Mockingbird, Motherland Soundsystem, National Fanfare of Kadebostany, Nebojsa Despotovic, Norient Musikfilm Festival, Queer, r3s3t, Satanism, Tam Tam Motherland, Trash, Until the Light Takes Us, Wildlife, Yassen Grigorov |
By Thomas Burkhalter on January 27, 2011
By Thomas Burkhalter on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Thomas Burkhalter on July 16, 2010
By Thomas Burkhalter on 16 July 2010 in
STORIES
Die tamilische Sängerin M.I.A. schockt mit ihrem neuen Gewaltvideo. Die Südafrikaner Die Antwoord locken mit Ironie 5 Millionen Besucher auf You-Tube.
Posted in STORIES | Tagged Avant-Garde, baile funk, baltimore club, Cumbia, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier World Music 2.0, dubstep, Exotica, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, globalization, grime, K'Naan, kuduro, M.I.A, Major Lazer, Music 2.0, Nortec, Omar Souleyman, postcolonial, postmodern, Raed Yassin, reggaeton, Tam Tam Motherland, Tarek Atoui, Terry Lynn, UK Funky, War, Wildlife, World Music 2.0 |
