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By Chris Saunders on January 27, 2016
By Chris Saunders on 27 January 2016 in
BLOG
In his photo series for the Norient book and exhibition «Seismographic Sounds», photographer Chris Saunders portrays the vivid and now exploding South African music scene. With Tshetsha Boys, Nozinja, DJ Spoko, DJ Invizable and Spoek Mathambo.
Posted in BLOG | Tagged 7. Norient Musikfilm Festival, Bacardi House, Chris Saunders, DJ Invizable, Exotica, Fantasma, Gazelle, Nozinja, Photo Series, Seismographic Sounds, Seismographic Sounds Photo Series, Shangaan Electro, South Africa, Spoke Mathambo, Spoko, Warp Records |
By Jacek Szczepanek on March 3, 2015
By Jacek Szczepanek on 3 March 2015 in
BLOG
In this second part of our short review from the Off Festival in Katovice, Poland, South African music producer John Wizards talks about his music and his producing process, geography and money.
Posted in BLOG | Tagged Ableton, Africa, Auto-Tune, Cape Town, Emmanuel Nzaramba, Europe, Festival, Geography, Jacek Szczepanek, John Withers, John Wizards, Katowice, Kinarwandan, kwaito, MTV Base, Nigerian Pop Music, Nozinja, Off, Poland, Rwanda, RZA, Shangaan Electro, South Africa, South African House, Wayne Marshall |
By Florian Sievers on October 23, 2014
By Florian Sievers on 23 October 2014 in
STORIES
Der südafrikanische Musikproduzent Nozinja hat die traditionelle Musik seines Volks radikal entkernt, elektrifiziert und beschleunigt. Er bewahrt die Traditionen dadurch, dass er sie ständig verändert.
Posted in STORIES | Tagged BBC, Benedikt Sartorius, bricolage, dance, Exotica, Florian Sievers, Folklore, Honest Jon's, innovation, M.D. Shirinda, Musikbeilage WoZ 2014, Nozinja, Richard Mthetwa, Seismographic Sounds, Shangaan, Shangaan Electro, Südafrika, Thomas Burkhalter, Tiyiselani Vomaseve, Tshetsha Boys, Warp, Wills Glasspiegel, Xitsonga Dance, Zinja Hlungwani |
By Didi Neidhardt on September 19, 2012
By Didi Neidhardt on 19 September 2012 in
STORIES
Der Sampler «Personal Space. Electronic Soul 1974–1984» vereint 17 Schätze aus der Geschichte des elektronischen Soul, kontert dem kanonbestimmenden Mythos der ‹Blackness› und zeigt, dass auch Soul einmal afrofuturistische Visionen hatte.
Posted in STORIES | Tagged Adele, Aloe Blacc, Amy Winehouse, Blackness, Blues, Bootsy Collins, Congotronics, Deborah Washington, Destiny’s Child, Digi-R&B, Disco, dubstep, Dyson & Company, Eddy Hazel, Electro, Erykah Badu, Estelle, Flying Lotus, Funk, George Clintons Parliament/ Funkadelic, Gonjasufi, Grace Jones, Greg Tate, Guitar Red, Herbie Hancock, House, James Brown, Janelle Monáe, Jeff Phelps, Jimi Hendrix, Johnnie Walker, juke, Kelis, Kodwo Eshun, Kraftwerk, Lady Blacktronika, Leiber & Stoller, M.I.A, Marvin Gaye, Missy Elliott, Norman Withfield, Otis G. Johnson, Outkast, Patrick Adams, Paul Gilroy, Pete Cosey, Pharrell Williams/Neptunes, Rhythm’n’Blues, Santigold, Shabazz Palaces, Shangaan Electro, Shuggie Otis, Slavoj Žižek, Sly Stone, Soft Cell, Soul, Space-Funk, Steve Elliott, Stevie Wonder, Sun Ra, Techno, THEESatisfaction, Timbaland, Timmy Thomas, USA, Woo Woo |
By Norient on July 18, 2012
By Norient on 18 July 2012 in
BLOG
The next four wednesdays norient presents you a selection of our thematic dossiers. This week we have a look on old and new dance styles from all over the world: from fast Juke-steps from Chicago or copulative daggering to ghanian Azonto-moves.
Posted in BLOG | Tagged „At Night They Dance“, Accra, Alessandro Negrini, Angola, Azonto, Chicago, Colombia, Cumbia, daggering, Dossier dance, dubstep, Finland, Ghana, Girl Walk // All Day, HipHop, Hiplife, Ireland, Japan, juke, kuduro, Mexico, New York, Paradiso, Perreo, Shangaan Electro, Sonideros, Tango, USA |
By Thomas Burkhalter (Norient) on January 27, 2011
By Thomas Burkhalter (Norient) on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Osman Arabi, Out of the Absurdity of Life, Outhere Records, Pastiche, Postkolonialismus, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Thomas Burkhalter (Norient) on August 18, 2010
By Thomas Burkhalter (Norient) on 18 August 2010 in
BLOG
Die rasend schnellen Melodie-Pattern dieser neu entdeckten Musik aus Südafrika werden mit der «Minimal Music» von Steve Reich verglichen. Sie klingen aber ganz anders.
Posted in BLOG | Tagged Africa, Dossier South Africa, Dossier World Music 2.0, George Maluleke, Ghetto Palms, Nozinja, Shangaan, Shangaan Electro, South Africa, Steve Reich, Tsonga Disco, Wills Glasspiegel, World Music 2.0 |
