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By Philipp Rhensius from Norient on March 16, 2016
By Philipp Rhensius from Norient on 16 March 2016 in
BLOG
In Botswana, heavy metal is a subversive form of self-expression, especially if the fans are female. The South African photographer Paul Shiakallis captured the metal «queens» in their homes. Norient spoke to him about his experiences with the Marok.
Posted in BLOG | Tagged Botswana, church, conservative, empowerment, ethnography, feminism, Heavy Metal, leather, lifestyle, Marok, movement, Norient, patriarchal, Paul Shiakallis, Popular Music, Queens, religion, rockers, rockmusic, Satanists, self-expression, society, South Africa, Subculture, subversive |
By Andy Bennett on March 13, 2016
By Andy Bennett on 13 March 2016 in
ACADEMIC
The relationship between music and place has a long history. This article discusses the academic discourses regarding the relationship between music and place. From the Norient book «Seismographic Sounds».
Posted in ACADEMIC | Tagged Andy Bennett, Anglo-American, Belonging, British folk, Canterbury Scene, Chicago School, Clarke, clubs, Cohen, community, DJs, Ethnomusicology, Hafeneger, Laneways, Liverpool, local, memory, memory-scapes, metro-centric, mods, Popular Music, punks, Rogers, scene, Seismographic Sounds, Serbia, skinheads, sociology, study, Subculture, Theory, Todorovic, Toronto, traditional, Turbo Folk |
By Norient on June 25, 2014
By Norient on 25 June 2014 in
BLOG
Das Norient-Online Dossier zum Hildesheimer Symposium «Popular Orientalism(s)» rund um Edward W. Said und die Musik nun komplett mit Bestandsaufnahmen klischeehafter Orientalismen – von Schlager über Pop bis zu World Music.
Posted in BLOG | Tagged Alexander G. Weheliye, Anja Wernicke, Anta Helena Recke, Birgit Abels, Dossier: Popular Orientalism(s), Edward W. Said, Johannes Ismaiel-Wendt, Markus Henrik Wyrich, Orientalism, Orientalismus, Popular Music, Popular Music Studies, Shakira, Stiftung Universität Hildesheim, Universität Hildesheim |
By Anja Wernicke on June 5, 2014
By Anja Wernicke on 5 June 2014 in
BLOG
«Shakira ist die Allzweckwaffe des Exotizismus in der Popmusik» sagt Dr. Markus Henrik Wyrich im Interview. Neben anderen Norient-Autorinnen und Autoren trägt er auf der Tagung «Popular Orientalism(s)» in Hildesheim (7. – 9.11.) vor.
Posted in BLOG | Tagged Beautiful Liar, Dossier: Popular Orientalism(s), Edward Said, Exotica, Johannes Ismaiel-Wendt, Kareen Roustom, Keith Negus, Marcel Eng, Markus Henrik Wyrwich, Maroon 5, Orientalism, Orientalismus, Popular Music, Popular Music Studies, Postkolonialismus, Shakira |
By Florian Carl on May 23, 2012
By Florian Carl on 23 May 2012 in
ACADEMIC
Ghanaian Gospel Music, Born-Again Christianity, and the Nonconformity of the Ethnographer. // This discussion of the gospel phenomenon in Ghana will be framed by a critical reflection on ethnomusicological methodology.
Posted in ACADEMIC | Tagged Africa, Christianity, ethnography, Ghana, gospel, gospel highlife, Highlife, naoj v1, norient academic online journal, Pentecostal, Popular Music |
By David-Emil Wickström on February 6, 2012
By David-Emil Wickström on 6 February 2012 in
BLOG
Scandinavia evokes a wide range of connotations. For some these include breathtaking landscapes and a life close to nature, however for others these connotations include high taxes, a nanny state and despite expensive alcohol prices alcohol abuse. A CD review.
Posted in BLOG | Tagged Beginner's Guide to Scandinavia, Compilation, Denmark, Dibbukim, Faroe Islands, Finnland, Greenland, Iceland, Jan Beitohaugen Granli, Jazz, Kaizers Orchestra, Larz-Kristerz, Meshuggah, Nordic countries, Norway, Popular Music, Reijo Taipale, Review, Röyksopp, Scandinavia, Sweden, Traditional music |
By Norient on June 1, 2010
By Norient on 1 June 2010 in
ACADEMIC
Der Transcript-Verlag macht einen grossen Teil der veröffentlichten Beiträge zur Popularmusikforschung kostenlos im Volltext verfügbar.
Posted in ACADEMIC | Tagged ASPM, Popular Music, Popular Music Studies |
