Pete Cosey

Vom «Blackness»-Mythos zum Alien-Soul

By Didi Neidhardt on September 19, 2012

By Didi Neidhardt on 19 September 2012 in STORIES

Der Sampler «Personal Space. Electronic Soul 1974–1984» vereint 17 Schätze aus der Geschichte des elektronischen Soul, kontert dem kanonbestimmenden Mythos der ‹Blackness› und zeigt, dass auch Soul einmal afrofuturistische Visionen hatte.

Posted in STORIES | Tagged Adele, Aloe Blacc, Amy Winehouse, Blackness, Blues, Bootsy Collins, Congotronics, Deborah Washington, Destiny’s Child, Digi-R&B, Disco, dubstep, Dyson & Company, Eddy Hazel, Electro, Erykah Badu, Estelle, Flying Lotus, Funk, George Clintons Parliament/ Funkadelic, Gonjasufi, Grace Jones, Greg Tate, Guitar Red, Herbie Hancock, House, James Brown, Janelle Monáe, Jeff Phelps, Jimi Hendrix, Johnnie Walker, juke, Kelis, Kodwo Eshun, Kraftwerk, Lady Blacktronika, Leiber & Stoller, M.I.A, Marvin Gaye, Missy Elliott, Norman Withfield, Otis G. Johnson, Outkast, Patrick Adams, Paul Gilroy, Pete Cosey, Pharrell Williams/Neptunes, Rhythm’n’Blues, Santigold, Shabazz Palaces, Shangaan Electro, Shuggie Otis, Slavoj Žižek, Sly Stone, Soft Cell, Soul, Space-Funk, Steve Elliott, Stevie Wonder, Sun Ra, Techno, THEESatisfaction, Timbaland, Timmy Thomas, USA, Woo Woo | Leave a response

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Vom «Blackness»-Mythos zum Alien-Soul

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