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By Norient on February 14, 2013
By Norient on 14 February 2013 in
EVENTS
Die Schweiz als Experimentierfeld: Norient editiert, manipuliert und performt die Schweiz. Eine audio-visuelle Performance und Fallstudie zu musikalischen Verarbeitungsstrategien von «Ort» und «Zeit». 17.8 Alpentöne – Internationales Musikfestival.
Posted in EVENTS | Tagged Alex Eugster, Alpentöne, Bauchamp, Bernd Schurer, Bittuner, Boris Previsic, Bruno Spoerri, Carlo Brunner, Cod.Act, Copy & Paste, Creaked Records, Cyril Schläpfer, Da Cruz, Daniel Häusler, Demolition Blues, Die Regierung, Digital Brainstorming, Duo Diatribes, Ear We Are, Eidgenössisches Jodlerfest, Elvira Glaser, Ensemble Phoenix, Ensemble Proton, Filewile, Flo Kaufmann, Fonoteca, Galoppierende Zuversicht, Geigenbauschule Brienz, Gustavo delux, Hans Feigenwinter, Haus der Volksmusik, Hinterzimmer Records, Hula Honeys, Imperial Tiger Orchestra, Iokoi, Jodeln, Joke Lanz, Jonas Kocher, Joy Frempong, Kadebostan, Kara Sylla Ka, Kate Wax, Klibi+Caroline, Kloster Disentis, Kutti MC, La Gale, Lleluja-Ha, Malcolm Braff, Manuel Stahlberger, Marc Stucki, Maria Gehrig, Markus Flückiger, Medienkunst, Meduoteran, Mosibuebä, Müslüm, Nadja Räss, National Fanfare of Kadebostany, Navel, Norbert Möslang, Ot Asoy, Paed Conca, Performance, Praed, Rainer Trübi, Reverend Beat-Man, Round Table Knights, Ruedi Häusermann, Rümlingen, Sebi Schmidig, Simon Berz, Sina, Sonic Traces, Sonic Traces: From Switzerland, Stiller Has, Stini Arn, Sudden Infant, Superterz, Swiss Music, Switzerland, Ted Robert, The National Fanfare of Kadebostany, Tim & Puma Mimi, Transdisziplinarität, Velma, Wael Sami, Yang Jing, Yodeling |
By Irina Cvijanović on November 26, 2012
By Irina Cvijanović on 26 November 2012 in
ACADEMIC
The Macedonian songs «Raise Up Your Hand» shows how traditional Roma music is used in electronic dance music today.
Posted in ACADEMIC | Tagged Balkans, Brass Bands, cross-cultural communication, electronic dance music, Electronic Music, Esma Redžepova, Ethnomusicology, Hip Hop, intermusicality, Kiril Džajkovski, Kočani orchestra, Macedonia, new sound spaces, Performance, performing organism(s), Popular Music Studies, Ras Tweed, Reggae, Roma, Roma music, Serbia, Serdžuk orchestra, the Balkans, travelling concpets |
By Simon Grab on September 12, 2012
By Simon Grab on 12 September 2012 in
VIDEO
Rudolf Eb.er created Schimpfluch 1987 in Zurich, an audio-artists collective for extreme performances and irritating audio/visual works. The psycho-active musician talks about his performances and rituals – on a ferris wheel.
Posted in VIDEO | Tagged Alice Kemp, Arnolfini, Bryan Lewis Saunders, Christian Weber, Daniel Löwenbrück, Dave Philipps, Doreen Kutzke, Extreme Rituals, Extreme Rituals carnival, G*Park, GX Jupitter-Larsen, Joachim Montessuis, Joke Lanz, Junko Hiroshige (Hijokaidan), Leif Elggren, M. Vänçi Stirnemann, Michael Barthel, Mike Dando, Performance, Phurpa, Psychic Rally, psycho-active audio-art, Radio LoRa, Rashad Becker, Rudolf eb.er, Schimpfluch, Sonic Traces, Sonic Traces: From Switzerland, Sudden Infant, The Haters, The New Blockaders, Ute Waldhausen, Vagina Dentata Organ, Vicky Langan (Wölflinge), Voice Crack, Zurich |
By Milena Krstic on June 25, 2012
By Milena Krstic on 25 June 2012 in
STORIES
Wenige Jahre nach Thomas Haferlachs Südamerikareise verwandelt er im Voodoohop-Kollektiv São Paulos brachliegende Flächen zu neonbunten Spielwiesen für schrille Parties im Neo-Tropicália-Stil.
Posted in STORIES, XFEATURED | Tagged Brasilien, Caetano Veloso, Carnaval in Rio de Janeiro, Casa das Caldeiras, Deutschland, DJ Thomash, DJane Marina, Dragqueen, Electronic, Favela Vidigal, Gal Costa, Gilberto Gil, Neo-Tropicália, Ocupação, Performance, Pope of Voodoohop, Rua Augusta, Samba, Sao Paulo, Sonar-Festival, Thomas Haferlach, Trackertower, Tropicália, Video-art, voodoo, Voodoohop |
By Norient on February 13, 2011
By Norient on 13 February 2011 in
EVENTS
Eine audio-visuelle Performance zu Musik, Lärm und Protest in der arabischen Welt. Rap, Death Metal, Indie Rock, Pop, Propaganda-Musik, Free Jazz, Musique Concrète und alte Schellack-Platten.
Posted in EVENTS | Tagged Arab World, Beirut, Dossier Arab World, Experimental, Lebanon, Lecture, Performance, Sonic Traces, Sonic Traces: From the Arab World, Transdisziplinarität |
By Norient on February 14, 2008
By Norient on 14 February 2008 in
EVENTS
World Politics, Propaganda, War and Exotism in the Contemporary Music of Beirut, Cairo, Beijing, Belgrade and other Global Cities. An audio-visual Performance.
Posted in EVENTS | Tagged Michael Pfister, Michael Spahr, Performance, Sonic Traces, Thomas Burkhalter |
