By Tanya Traboulsi on April 9, 2013
By Tanya Traboulsi on 9 April 2013 in
BLOG
Photography from Irtijal 2013, our favorite festival for experimental music in the Middle East. Plus two comments by festival co-organizer and musician Sharif Sehnaoui.
Posted in BLOG | Tagged Alexandre St-Onge, Alvise Seggi, Anthony Von Seck, Arab World, Balazs Pandi, Beirut, Dao, Dossier Arab World, Gert-Jan Prins, Irtijal Festival, Jim Quilty, Lebanon, Lukas Ligeti, Mazen Kerbaj, Miles, Omar Dewachi, Osman Arabi, Paed Conca, Piero Bittolo Bon, Rabih Beaini, Sam Shalabi, shalabi effect, Sharif Sehnaoui, Thomas Burkhalter, Tommaso Cappellato, Upperground Orchestra, Will Eizlini |
By Thomas Burkhalter on January 27, 2011
By Thomas Burkhalter on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
