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By Immanuel Brockhaus on October 11, 2017
By Immanuel Brockhaus on 11 October 2017 in
ACADEMIC
Im Buch «Kultsounds – Die prägendsten Klänge der Popmusik 1960-2014» geht der Pianist, Komponist und Wissenschaftler Immanuel Brockhaus auf die Suche nach prägenden Einzelsounds der Popmusikgeschichte.
Posted in ACADEMIC, XFEATURED | Tagged Bandstopp-Effekt, Billboard Charts, Conway Studio, cult-sounds, David Guetta, Effectrix, Ellie Goulding, Flo Rida, Glitch-Sounds, Immanuel Brockhaus, Ke$ha, Kevin Rudolf, Kultsounds, Lil' Wayne, Markus Leucht, Music Production, Nicki Minaj, Scrubbing, Slate Digital, Slow-Down-Effekt, software, Speed-Up-Effekt, Sugar Bytes, Tape, Tape Slow-Down, Tape Stop, Transcript, vari-fi, Vengeance, Virtual Tape Machine |
By Hannes Liechti (Norient) on September 22, 2017
By Hannes Liechti (Norient) on 22 September 2017 in
BLOG
It is the very discrete mixture of samples, jazz vocals, folk spirit, live instrumentation and experimental electronics that characterizes the weird and beautiful song sketches of interdisciplinary artist Yatta Zoker from Brooklyn, NY.
Posted in BLOG | Tagged Belonging, Diaspora, Glokale Sounds, Hannes Liechti, Mourning, Music Production, religion, Sampling, Sampling Motivations: Identity, Sampling Stories, Skype, SNF, Time, WhatsApp, YATTA, Yatta Zoker, YouTube |
By Hannes Liechti (Norient) on August 9, 2017
By Hannes Liechti (Norient) on 9 August 2017 in
BLOG
Digging samples in the tracks of Daniel Jakob led me to two interesting potentials of the production method: sampling as a hidden means of producing tracks and sampling of ambient sounds as cultural signifiers.
Posted in BLOG | Tagged Ableton, Alpine Dub, Babatunde Olatunji, Daniel Jakob, Dub, Dubokaj, Filewile, Glokale Sounds, Goats, Hannes Liechti, Music Production, place, Sampling, Sampling Motivations: Aesthetics, Sampling Motivations: Atmosphere, Sampling Stories, SNF, YouTube |
By Hannes Liechti (Norient) on May 15, 2017
By Hannes Liechti (Norient) and Katie Gately on 15 May 2017 in
BLOG
A psychological approach to sampling: the American avantgarde-pop musician Katie Gately samples familiar, sometimes scary sounds and noises form the everyday that are deeply connected to her childhood memory.
Posted in BLOG | Tagged Biography, Glokale Sounds, Hannes Liechti, Hauntology, Katie Gately, Loneliness, Music Production, Past, Psychology, Sampling, Sampling Motivations: Aesthetics, Sampling Motivations: Atmosphere, Sampling Motivations: Identity, Sampling Stories, SNF |
By Sidney Sutter on May 8, 2017
By Sidney Sutter and Valentin Mettler on 8 May 2017 in
VIDEO
Producing Eritrean music in the diaspora works in a quite unique way. Because of this, the third episode of the web documentary on Eritrean music is concentrating on the production and the vocals.
Posted in VIDEO | Tagged Abrar Osman, Eritrea, Exile Guayla, Music Production, Senait Hadish, Sidney Sutter, Valentin Mettler, Vocals, Yohannes Gebre |
By Bit-Tuner on April 14, 2017
By Bit-Tuner, Dejot and Thomas Burkhalter (Norient) on 14 April 2017 in
AUDIO
Gqom edits 001/002 / Experimenting with interview formats // We meet gqom producer Citizen Boy and his grandmother in the Avoca Hills township of Durban to discuss about dark electronic gqom tracks.
Posted in AUDIO, XFEATURED | Tagged Africa, Bedroom Producing, Bit-Tuner, Citizen Boy, Cruda Volta Radio, Dejot, Durban, Fruity Loops, Google, Gqom, Gqom Edits, Gqom Oh! The Sound of Durban, Music Production, Presets, Sampling, South Africa |
By Hannes Liechti (Norient) on December 6, 2016
By Hannes Liechti (Norient) on 6 December 2016 in
BLOG
In this new series, Norient talks about sampling and remixing with different musicians from all around the world: Why, how and what do they sample? Meet Israeli electronic industrial artist Ptyl in this first sequel.
Posted in BLOG | Tagged Electronic Music, Ethics, Glokale Sounds, Hannes Liechti, Industrial, Israel, Music Production, Sampling, Sampling Motivations: Politics, Sampling Stories, SNF, Underground Music |
By Immanuel Brockhaus on October 28, 2016
By Immanuel Brockhaus on 28 October 2016 in
STORIES
And.Ypsilon is a real sound scientist. As a beat maker for Die Fantastischen 4 he shaped the sound of german hip hop. Norient met him in his studio in Stuttgart to talk about his love for electronic music and his re-discovery of modular synthesizers.
Posted in STORIES | Tagged And.Ypsilon, Architecture, cult-sounds, Die Fantastischen 4, Electronic Music, Germany, Hip Hop, modular synthesizers, Music Production, New Age, Oscillators, Presets, Sampling, Sound, studio |
