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By Norient on April 29, 2014
By Norient on 29 April 2014 in
AUDIO
Norient keeps searching for new sounds and puts together a monthly selection from Soundcloud. Enjoy or skip through tracks from upcoming and well-known artists from a wide variety of places. And read what some artists wrote about their tracks.
Posted in AUDIO | Tagged Adieu Gary Cooper, Alika, Argentinia, baile funk, Bass Music, Bombo legüero, Bosaina, Brasil, Buenos Aires, Cairo, Carlos Nunez, CatNapp, Colombia, Cumbia, Cumbion, Denmark, Egypt, El Mayonesa, El Remolon, Facial Index, From Bacteria To Boys, funk carioca, Funk na Caixa, Jimi Hendrix, Keny Arkana, Kradadash, Latin, Mamba, merengue, Meridian Brothers, Mike Pride, moi j, Norient Selection, Norient Soundcloud Selection, PepinkArt Studio, Poland, Rasterinha, Reptilian Commander, Salsa, Samthing Soweto, South Africa, Switzerland, Trap, USA, Villa Diamante |
By Benjamin J. Harbert on November 20, 2013
By Benjamin J. Harbert on 20 November 2013 in
BLOG
This work was part of «California Prison Arts Archiving Project» that Ben Harbert led for the UCLA University Archives Summer 2008 to Spring 2010. From the Norient book «Out of the Absurdity of Life».
Posted in BLOG | Tagged Ben Harbert, Benjamin J. Harbert, California, California Prison Arts Archiving Project, ethnography, Ethnomusicology, fieldwork, Jim Carlson, Jimi Hendrix, Little Boy Blue, musicological analysis, New Folsom State Prison, Out of the Absurdity of Life, transcription, USA |
By Christoph Fellmann on August 2, 2013
By Christoph Fellmann on 2 August 2013 in
AUDIO
Der libysche Bürgerkrieg auf dem Dancefloor: Matthew Herbert hat sein neues Album aus Kriegsgeräuschen gesampelt. Ein radikales Konzept mit beklemmend schönen Momenten.
Posted in AUDIO | Tagged Accidental Records, Ghadafi, Guantánamo, Jennifer Lopez, Jimi Hendrix, Krieg, Libyen, M.I.A, Masaki Batoh, Matthew Herbert, Queen, Sampling, Sebastian Meyer, William Basinski, Woodstock |
By Didi Neidhardt on September 19, 2012
By Didi Neidhardt on 19 September 2012 in
STORIES
Der Sampler «Personal Space. Electronic Soul 1974–1984» vereint 17 Schätze aus der Geschichte des elektronischen Soul, kontert dem kanonbestimmenden Mythos der ‹Blackness› und zeigt, dass auch Soul einmal afrofuturistische Visionen hatte.
Posted in STORIES | Tagged Adele, Aloe Blacc, Amy Winehouse, Blackness, Blues, Bootsy Collins, Congotronics, Deborah Washington, Destiny’s Child, Digi-R&B, Disco, dubstep, Dyson & Company, Eddy Hazel, Electro, Erykah Badu, Estelle, Flying Lotus, Funk, George Clintons Parliament/ Funkadelic, Gonjasufi, Grace Jones, Greg Tate, Guitar Red, Herbie Hancock, House, James Brown, Janelle Monáe, Jeff Phelps, Jimi Hendrix, Johnnie Walker, juke, Kelis, Kodwo Eshun, Kraftwerk, Lady Blacktronika, Leiber & Stoller, M.I.A, Marvin Gaye, Missy Elliott, Norman Withfield, Otis G. Johnson, Outkast, Patrick Adams, Paul Gilroy, Pete Cosey, Pharrell Williams/Neptunes, Rhythm’n’Blues, Santigold, Shabazz Palaces, Shangaan Electro, Shuggie Otis, Slavoj Žižek, Sly Stone, Soft Cell, Soul, Space-Funk, Steve Elliott, Stevie Wonder, Sun Ra, Techno, THEESatisfaction, Timbaland, Timmy Thomas, USA, Woo Woo |
By Christoph Fellmann on October 6, 2010
By Christoph Fellmann on 6 October 2010 in
BLOG
Heutige Bands orientieren sich gerne an den harmonischen Klängen aus den goldenen Epochen des Pop. Ein paar Beispiele.
Posted in BLOG | Tagged 1960s, Animal Collective, Brian Burton, Janis Joplin, Jimi Hendrix, Matt Ward, Psychedelic Music, She & Him, T.A.M.I Show, Wavves |
