Browse: Home / globalization
By Thomas Burkhalter on March 22, 2013
By Thomas Burkhalter on 22 March 2013 in
STORIES
Boris Previsic organisiert Kompositionswettbewerbe in Südosteuropa und im Kaukasus. Im Gespräch äussert er sich zu Herausforderungen interkultureller Austauschprojekte.
Posted in STORIES, XFEATURED | Tagged Aliser Sijaric, Armenia, Avant-Garde, Balkan, Balkans, Belgrade, Boris Previsic, Bosnia, Caucasus, Darija Andovska, Emre Sihan Kaleli, Ensemble Sonemus, Firudin Allahverdi, Funding, globalization, Intercultural, Kulturförderung, Ottoman Music, place, pre-art, Roland Moser, Sonemus, Soviet Union, Stepan Rostomyan, Tribina kompozitora, Vardapet Komitas, Zagreb |
By Norient on January 9, 2013
By Norient on 9 January 2013 in
ACADEMIC
Das erste Norient-Buch diskutiert Zeitfragen und Trends im globalisierten Musikschaffen zwischen Europa, Afrika, Lateinamerika, Asien und den USA.
Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 |
By Thomas Burkhalter on December 18, 2012
By Thomas Burkhalter on 18 December 2012 in
ACADEMIC
This book offers the first in-depth study of experimental and popular music in Beirut.
Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab |
By Norient on December 26, 2011
By Marc Dietrich and Martin Seeliger on 26 December 2011 in
ACADEMIC
Zur Inszenierung von deutschen Rappern im Spannungsfeld von kultureller Tradition und politischem Diskurs. – «Bitte erzählt mir nix von Gangstarap, meine Jungs da draußen würden 50 Cent erstechen.»
Posted in ACADEMIC | Tagged 4 4 da mess, 50 Cent, A-zad, afro-american culture, Aggro Berlin, Azad, Bambi, Boogie Down Productions, Bushido, Conscious Rap, Da Fource, Dr. Dre, Eazy-E, Gangsta-Rap, Gangster, Ghetto Culture, ghetto tech, Global Ghettotech, globalization, Hip Hop, Ice Cube, Ice-T, Migration, Mobb Deep, Moses P, N.W.A., Niggaz With Attitude, PA Sports, prostitution, Public Enemy, Rap, Realness, Schoolly D, Snoop Dogg, USA, Violence, Warheit, weapons, Westside Connection |
By Michael Spahr on February 9, 2011
By Michael Spahr on 9 February 2011 in
ACADEMIC
Nikos Papastergiadis speaks about the globalization of culture and its meaning for people and institutions involved in the world of the arts.
Posted in ACADEMIC | Tagged art, art and the contemporary imaginary, digitalization, globalization, Nikos Papastergiadis, trans-cultural, Transcultural flows |
By Thomas Burkhalter on January 27, 2011
By Thomas Burkhalter on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Norient on October 28, 2010
By Werner Graebner on 28 October 2010 in
STORIES
Jagwa Music: A bricolage of old-style Zaramo drums; a battered stool beaten with sticks; a small Casio hand organ; and singers belting out songs on how to survive in the urban maze of Dar es Salaam.
Posted in STORIES | Tagged Africa, bricolage, Casio, Dar es Salaam, Dossier World Music 2.0, dumbak, Global Ghettotech, globalization, Jagwa, kuduro, lo-fi, Mchiriku, misondo, nzumari, Sauti ya Busara Festival, taarab, Tanzania, World Music 2.0 |
By Thomas Burkhalter on July 16, 2010
By Thomas Burkhalter on 16 July 2010 in
STORIES
Die tamilische Sängerin M.I.A. schockt mit ihrem neuen Gewaltvideo. Die Südafrikaner Die Antwoord locken mit Ironie 5 Millionen Besucher auf You-Tube.
Posted in STORIES | Tagged Avant-Garde, baile funk, baltimore club, Cumbia, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier World Music 2.0, dubstep, Exotica, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, globalization, grime, K'Naan, kuduro, M.I.A, Major Lazer, Music 2.0, Nortec, Omar Souleyman, postcolonial, postmodern, Raed Yassin, reggaeton, Tam Tam Motherland, Tarek Atoui, Terry Lynn, UK Funky, War, Wildlife, World Music 2.0 |
By Jeroen De Kloet on July 2, 2010
By Jeroen De Kloet on 2 July 2010 in
STORIES
Fuelled by the new sounds that entered China’s illegal doorways, and driven by a desire to move beyond the stereotypical hard rock idiom, new bands started to experiment with different sounds. Today, sounds ranging from hardcore punk to deep house can be heard from Urumqi to Beijing. Let’s get dakou’ed!
Posted in STORIES | Tagged Asia, Beijing, China, globalization, localization, modernity, Punk, Rock Music |
