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June 19th 2013 norient
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Ethnomusicology

Singing history in Colombia

Singing history in Colombia

By Regula Gattiker on February 26, 2013

By Regula Gattiker and Ricardo Torres on 26 February 2013 in  BLOG

Les Voy a Contar la Historia is a sonorous and audiovisual compilation of the historical memory of the farmer community of Las Pavas, Colombia – sung and told by its main characters.

Posted in BLOG | Tagged Colombia, Edwin Torres, Ethnomusicology, intangible cultural heritage, Las Pavas, Latin America, Les Voy a Contar la Historia, Orlando Ospino, «El monchi Pavero» | Leave a response

The World at 78 RPM

The World at 78 RPM

By Thomas Burkhalter on February 19, 2013

By Thomas Burkhalter on 19 February 2013 in  AUDIO

Jonathan Ward runs the blog «Excavated Shellac», and his 4-CD Box «Opika Pende – Africa At 78 RPM» is nominee for a Grammy for best historical album of 2012. A Podcast.

Posted in AUDIO | Tagged 78rpm, Africa, blogging, collectors, Dust-to-Digital, Ethnomusicology, Excavated Shellac, Flying Jazz Queens, Grupo da Guarda Velha, Jonathan Ward, Kiko Kids, Kosta Šarćanski-Koča, MP3 blogs, O.S. Africa Jazz Onema Pascal, Opika Pende, Opika Pende – Africa At 78 RPM, rare recordings, schellac, Sekinomu, Wilson Makawa and his Guitar | 2 Responses

Out of the Absurdity of Life – Globale Musik

Out of the Absurdity of Life – Globale Musik

By Norient on January 9, 2013

By Norient on 9 January 2013 in  ACADEMIC

Das erste Norient-Buch diskutiert Zeitfragen und Trends im globalisierten Musikschaffen zwischen Europa, Afrika, Lateinamerika, Asien und den USA.

Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 | 6 Responses

Local Music Scenes and Globalization – Transnational Platforms in Beirut

Local Music Scenes and Globalization – Transnational Platforms in Beirut

By Thomas Burkhalter on December 18, 2012

By Thomas Burkhalter on 18 December 2012 in  ACADEMIC

This book offers the first in-depth study of experimental and popular music in Beirut.

Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab | 4 Responses

Travelling concepts in Balkan Electronic Dance Music

Travelling concepts in Balkan Electronic Dance Music

By Irina Cvijanović on November 26, 2012

By Irina Cvijanović on 26 November 2012 in  ACADEMIC

The Macedonian songs «Raise Up Your Hand» shows how traditional Roma music is used in electronic dance music today.

Posted in ACADEMIC | Tagged Balkans, Brass Bands, cross-cultural communication, electronic dance music, Electronic Music, Esma Redžepova, Ethnomusicology, Hip Hop, intermusicality, Kiril Džajkovski, Kočani orchestra, Macedonia, new sound spaces, Performance, performing organism(s), Popular Music Studies, Ras Tweed, Reggae, Roma, Roma music, Serbia, Serdžuk orchestra, the Balkans, travelling concpets | 2 Responses

Medeas Klänge vs. Hupkonzerte

Medeas Klänge vs. Hupkonzerte

By Eckehard Pistrick on November 6, 2012

By Eckehard Pistrick on 6 November 2012 in  BLOG

Zwei neue Alben zeigen zwei unterschiedliche Bearbeitungsformen von Soundscape-Aufnahmen: Das Porträt eines Hupen-Orchesters aus Accra oder ein mystisches Klangkunstwerk aus flüchtigen und ewigen Sounds von den Schwarzmeerküsten.

Posted in BLOG | Tagged Accra, Black Sea, Bulgarien, Dossier Soundscape, Ethnomusicology, Georgien, Ghana, Jazz, Klanganthropologie, Klangkunst, Krim, La Drivers Union Por Por Group, Medea, Medea-Collection from the Black Sea, Musikethnologie, New York, Por por, Rumänien, Russland, Schwarzes Meer, sound art, Soundscapes, Soundwalk, Soundwalk Collective, Steven Feld, Türkei, Ukraine, USA, VoxLox | Leave a response

Down to the Underground

Down to the Underground

By Norient on July 16, 2012

By Norient on 16 July 2012 in  ACADEMIC

“Down to the Underground: Popular Music and Society in Central Europe” is the title of the new book by EastBound. Norient wants to make you curious about reading it online for free and posts the abstracts and videos related to its contents.

Posted in ACADEMIC | Tagged abstracts, Botond Vitos, Central Europe, cultural studies, Czech Republic, Down to the Underground: Popular Music and Society in Central Europe, East Europe, EastBound, Ethnomusicology, Gábor Vályi, Gergő Havadi, Hungary, IASPM, Indie, Jazz, media studies, Psytrance, R. Emília Barna, Slovakia, sociology of music, subcultures, Tamás Tófalvy, Trever Hagen, Vinyl, Zuzana Kepplova | 1 Response

Der Schatz des Bluesjägers

Der Schatz des Bluesjägers

By Norient on April 27, 2012

By Christoph Fellmann on 27 April 2012 in  STORIES

Alan Lomax reiste ein halbes Jahrhundert lang durch die USA, die Karibik und Europa – und sammelte dabei 17 400 Blues- und Folksongs. Jetzt wird sein einzigartiges Musikarchiv im Internet frei zugänglich.

Posted in STORIES | Tagged Alan Lomax, Blues, Cultural Equity, Ethnomusicology, fieldwork, Folk, gospel, Irland, Italien, Leadbelly, Library of Congress, Memphis Slim, Muddy Waters, Musikethnologie, Portugal, Schottland, Sounds of the South, Southern Journey, Spanien, USA, Woody Guthrie | Leave a response

Zwischen Afghanistan und Bosnien

Zwischen Afghanistan und Bosnien

By Norient on May 13, 2011

By Norient on 13 May 2011 in  BLOG

Der bengalische Musikethnologe Deben Bhattacharya (1921-2001) reiste zwischen 1955 und 1970 nach Afghanistan und Bosnien Herzegowina. Einige seiner Aufnahmen sind jetzt auf CD erhältlich.

Posted in BLOG | Tagged Afghanistan, Bosnia, Deben Bhattacharya, Ethnomusicology | Leave a response

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