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Review: 8th Norient Musikfilm Festival

Review: 8th Norient Musikfilm Festival

By Philipp Rhensius (Norient) on January 18, 2017

By Philipp Rhensius (Norient) on 18 January 2017 in  BLOG

For four days, the art and music space Reitschule in Bern turned into a center of the world: The 8th Norient Musikfilm Festival was an aesthetic journey through the politics of the body, mind and soul – a review in words, pictures and tweets.

Posted in BLOG | Tagged 8. Norient Musikfilm Festival, A Story of Sahel Sounds, Amanda Sans, Ambient, Booty House, brat dážďoviek, Brazil, Christopher Kirkley, colonialism, deconstruction, Dis Fig, Dope Saint Jude, Easterndaze, Ecosysmtes of Excess, Elise Roodenburg, Emino, Europe, Fatou Seïdi Ghadi, Favela, Fleur Beemster, Florian Kläger, Ghetto House, Hot Sugar, Identities, immigrants, In the Circle: Footwork in Chicago, Inside the Mind of Favela Funk, Irony, J.G. Biberkopf, Jamaica, Jungle, Kingston, Klay Bb, Lucia Udvardyová, Madou, Markus Milcke, Mdou Moctar, Miquel Galofré, music video, Neopan Collective, New York City, niger, prison, Propaganda, Putaria-Funk, Rapper Phenix, refugees, rehabilitation, Rio de Janeiro, Samčo, Slovakia, Social Media, Songs of Redemption, Tobias Adam, Tunisia Clash, Victor Klemperer, Weld el 15, Wills Glasspiegel | Leave a response

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