Browse: Home / cultural studies
By Marcus Maeder on August 8, 2012
By Marcus Maeder on 8 August 2012 in
ACADEMIC
Mit Impulsen aus der Performance-Kunst und dem Klangbewusstsein von Industrial, New Wave und Elektropop wurde elektronische Musik auch in der Schweiz Teil der Popkultur. Teil I: Geschichte und Kontext.
Posted in ACADEMIC | Tagged Acid, Acid-House, Alvin Lucier, Amon Düül, Andres Bosshard, Andy Guhl, Arvo Pärt, Autonomes Jugendzentrum AJZ, Berlin, Bernhard Günter, Cabaret Voltaire, Can, Chris Carter, Christian Marclay, Cluster, Coil, Cosey Fanny Tutti, COUM Transmissions, cultural studies, Dada, DAF, Death Factory, Depeche Mode, der Plan, Die Form, Donna Summer, Düsseldorf, EBM, Einstürzende Neubauten, Elektropop, Ernst Thoma, experimentelle Musik, Fad Gadget, Franziska Lingg, Freejazz, G*Park, Genesis P-Orridge, Giorgio Moroder, Grauzone, Günter Müller, György Ligeti, Hafler Trio, Hans-Rudolf Lutz, Iannis Xenakis, Industrial, Industrial Records, Jaques Widmer, John Cage, Joseph Beuys, Joy Division, Kraftwerk, Krautrock, London, Luc Ferraris, Luigi Nono, Magda Vogel, Mani Neumeier, Mark Terkessidis, Matterhorn Project, Monte Cazzaza, Musicstore 2000, Musique Concrète, Nachtluft, Neofolk, Neue Deutsche Welle, Neue Musik, New Order, New Wave, Nitzer Ebb, Noise, Organum, P16.D4, Peter Christopherson, Philipp Glass, Pierre Schaeffer, Pop, Popkultur, Post-Industrial, Punk, Ralf Wehowsky, Ratinger Hof, Rock, Rote Fabrik, Selektion, Sonic Traces: From Switzerland, Sound, Stephan Eicher, StuZ, Tangerine Dream, Techno, Thomas Groetz, Throbbing Gristle, Tom Holert, Touch el Arab, Unknownmix, Voice Crack, Yello, Young Gods, Zoviet*France |
By Norient on July 16, 2012
By Norient on 16 July 2012 in
ACADEMIC
“Down to the Underground: Popular Music and Society in Central Europe” is the title of the new book by EastBound. Norient wants to make you curious about reading it online for free and posts the abstracts and videos related to its contents.
Posted in ACADEMIC | Tagged abstracts, Botond Vitos, Central Europe, cultural studies, Czech Republic, Down to the Underground: Popular Music and Society in Central Europe, East Europe, EastBound, Ethnomusicology, Gábor Vályi, Gergő Havadi, Hungary, IASPM, Indie, Jazz, media studies, Psytrance, R. Emília Barna, Slovakia, sociology of music, subcultures, Tamás Tófalvy, Trever Hagen, Vinyl, Zuzana Kepplova |
