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By Norient on September 2, 2017
By Norient on 2 September 2017 in
BLOG
In this series from the Norient book «Seismographic Sounds» we learn about different strategies of artists to fund their music. In short quotes musicians tell from their own perspectives. Today: Charbel Haber, singer and guitarist from Lebanon.
Posted in BLOG | Tagged Charbel Haber, Funding, Funding Music Today, Lebanon, Money, Seismographic Sounds |
By Norient on September 10, 2015
By Norient on 10 September 2015 in
AUDIO
Music, sounds and noises from the Arab World – The Norient Performance is out now! Collected and mixed by the Norient collective. Vinyl and digital.
Posted in AUDIO | Tagged Ahmed Basiony (R.I.P.), Anouar Brahem, Arab World, Asmahan, Bao, Beirut, Bern, Cairo, Charbel Haber, Cheik Imam, Dhafer Youssef, Dossier Arab World, Dossier World Music 2.0, Egy, Egypt, El Général, Electro-Jurjina, Experimental, Filastine, Hassan Khan, Hassan Taha, Hisham Awad, Ibrahim Qashoush, John Kamel Farah, Joumana Seikaly, Kamiliya Jubran +Werner Hasler, Kareem Lofty, Koji, Lebanon, Les Djinns, Leyla Murad, Luigi Russolo, Machine eat man (Mohamed Ragab), Mahmoud Refat, Mahmoud Turkmani, Mahragan, Mazen Kerbaj, Morocco, Mustafa Ismaiel, Norient, Orientalism, Praed, Rabih Abou Khalil, Raed Yassin, Ramsi Lehner, Rana Eid, Rayya Badran, Releases, Sha'abi, Sharif Sehnaoui, Simon Grab, Skander Guetaria + Khaled Waghleni, Sonic Traces: From the Arab World, sonohr, Switzerland, Tahal Fasny, Tarek Atoui, The Devil's Anvil, Thomas Burkhalter, Ulcerium feat. Cheb Lahbitry, Walid Gholmieh, War, Waslah in Dugah, Weeping Willow, World Music, World Music 2.0, Xardas, Ziad Nawfal |
By Thomas Burkhalter (Norient) on January 21, 2015
By Thomas Burkhalter (Norient) on 21 January 2015 in
ACADEMIC
This book offers the first in-depth study of experimental and popular music in Beirut. 2014 finally out as Paperback and Kindle Edition.
Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Book, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Releases, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab |
By Thomas Burkhalter (Norient) on January 27, 2011
By Thomas Burkhalter (Norient) on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Osman Arabi, Out of the Absurdity of Life, Outhere Records, Pastiche, Postkolonialismus, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Thomas Burkhalter (Norient) on August 28, 2009
By Thomas Burkhalter (Norient) and Simon Grab on 28 August 2009 in
AUDIO
Musicians from Beirut talk about their sonic memories from the Lebanese Civil War (1975-1990) and the 2006 war between Israel and Hizbullah.
Posted in AUDIO | Tagged Amal, Arab World, Charbel Haber, Cyrille Najjar, Death Metal, Dossier Arab World, Garo Gdanian, Hizbullah, Israel, Lebanese Forces, Lebanon, Mazen Kerbaj, Noise, Propaganda, Raed Yassin, Sonic Memory, The Force, Trauma, Violence, War, Weeping Willow |
By Thomas Burkhalter (Norient) on June 11, 2009
By Thomas Burkhalter (Norient) on 11 June 2009 in
STORIES
In der zeitgenössischen Musik der arabischen Welt werden «Authentizität», «Herkunft» und «Lokalität» nicht nur durch Instrumente und Klangfolgen evoziert – es gesellen sich Geräusche und akustische Erinnerungen hinzu.
Posted in STORIES | Tagged 100copies, 20SV, Arab, Arab World, Ayat, Beirut, Cairo, Censorship, Charbel Haber, Checkpoint 303, DAM, Dossier Arab World, Egypt, Garo Gdanian, Kairo, Karima Nayt, Lebanon, Mahmoud Refat, Mahmoud Turkmani, MazaJ, Mazen Kerbaj, Omar Khorchid, Raed Yassin, Ramallah Underground, Tarek Atoui, Weeping Willow, Xardas |
