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By Daniel Haaksman on January 6, 2017
By Daniel Haaksman on 6 January 2017 in
BLOG
Baile Funk ist eine brasilianische Hip Hop-Variante mit hypersexualisierten Lyrics und energetischen Tänzen. Er stammt aus den ärmsten Vierteln einer der schönsten, aber auch gefährlichsten Städte der Welt: Rio De Janeiro.
Posted in BLOG | Tagged 8. Norient Musikfilm Festival, Apetitosas, baile funk, Elise Roodenburg, Favela, Favela Funk, Fleur Beemster, funk carioca, MC Carol, MC Pikachu, Misogynie, nside The Mind Of Favela Funk, Putaria-Funk, Rio de Janeiro, Tati Quebra Barraco, Valeska Popozuda |
By Frederick Moehn on July 19, 2013
By Frederick Moehn on 19 July 2013 in
STORIES
«Lusotronic» festival in May 2013 brought portuguese electronic music to Berlins multicultural neighborhood Kreuzberg – an occasion for a deep ethnomusicological insight in postcolonial cultural spaces.
Posted in STORIES, XFEATURED | Tagged Agnela Barros Wilper, Akwaaba music, Ananya Kabir, André do Poster, Andy Cumming, Angola, baile funk, Belém do Pará, Benjamin LaBrave, Berlin, Bonde Do Rolê, Brazil, Carnival of Cultures, colonialism, Cumbia, Dama Do Bling, Daniel Haaksma, Diplo, Diron, DJ Waldo Squash, Dossier World Music 2.0, Filip Nikolic, Frederick J. Moehn, Funana, Funk, Gang do Eletro, Germany, Igor Domingues, Jó Kindanje, Joan Morgan, João Brandão, Karnaval der Kulturen, Keila Gentil, kizomba, Kreuzberg, ku house, kuduro, Laura Taylor, Luso FM, Lusotronics, Lusotropicalism, Maderito, Marco Castro, MC Tati Quebra Barraco, Mozambique, Pedro D'Eyrot, pleasure politics, Portugal, Post-Kolonialismus, Rodrigo Gorky, Shayne Lee, Stefanie Alisch, tarraxinha, Tecno Brega, Throes & The Shine, Titica, Tropicalbacanal, William Love, Wolfram Lange, World Music 2.0 |
By Thomas Burkhalter (Norient) on January 27, 2011
By Thomas Burkhalter (Norient) on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Osman Arabi, Out of the Absurdity of Life, Outhere Records, Pastiche, Postkolonialismus, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Thomas Burkhalter (Norient) on July 16, 2010
By Thomas Burkhalter (Norient) on 16 July 2010 in
STORIES
Die tamilische Sängerin M.I.A. schockt mit ihrem neuen Gewaltvideo. Die Südafrikaner Die Antwoord locken mit Ironie 5 Millionen Besucher auf You-Tube.
Posted in STORIES | Tagged Avant-Garde, baile funk, baltimore club, Cumbia, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier World Music 2.0, dubstep, Exotica, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, globalization, grime, K'Naan, kuduro, M.I.A, Major Lazer, Music 2.0, Music and Satire, Nortec, Omar Souleyman, Postkolonialismus, postmodern, Raed Yassin, reggaeton, Tam Tam Motherland, Tarek Atoui, Terry Lynn, UK Funky, War, Wildlife, World Music 2.0 |
By Norient on January 2, 2010
By Norient on 2 January 2010 in
STORIES
Denise Garcia hat einen sehr direkten und persönlichen Film über die Frauen der Baile Funk Szene in Rio de Janeiro geschaffen. Ein Interview mit der brasilianischen Regisseurin.
Posted in STORIES | Tagged 1. Norient Musikfilm Festival 2010, baile funk, Brazil, Denise Garcia, Documentary Film, Latinamerica |
By Thomas Burkhalter (Norient) on February 3, 2009
By Thomas Burkhalter (Norient) on 3 February 2009 in
STORIES
Die Musiker der Welt lassen sich nicht mehr ins kulturell-ökonomische Korsett der Weltmusik-Industrie zwängen. Sie vertonen ihre Sicht auf die Welt frei nach eigenem Geschmack und Gusto. Ein Überblick.
Posted in STORIES | Tagged baile funk, ghetto tech, Global Ghettotech, kuduro, kwaito |
By Gregory Scruggs on May 14, 2008
By Gregory Scruggs on 14 May 2008 in
STORIES
With their CD «Proibidão C.V.: Forbidden Gang Funk from Rio de Janeiro» the US-American Label Sublime Frequencies aims to portrait a moment in time in Brazil. Gregory Scruggs however criticises them as uniformed explorers.
Posted in STORIES | Tagged baile funk, Brazil, Copyrights, Diplo, Dossier World Music 2.0, Favela, Global Ghettotech, Latin America, M.I.A, Sublime Frequencies |
