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Author:

Dr. Thomas Burkhalter is an ethnomusicologist, music journalist, and cultural producer from Switzerland. The founder and director of Norient, he published the book Local Music Scenes and Globalization: Transnational Platforms in Beirut (Routledge) and co-edited The Arab Avant-Garde: Music, Politics, Modernity (Wesleyan University Press), Seismographic Sounds – Visions of a New World (Norient) and Out of the Absurdity of Life – Globale Musik (Norient/Traversion). He works as a researcher and project leader at the University of Basel and the University of Arts Bern (HKB), financed by the Swiss National Foundation (SNF). As the director of the Norient Musikfilm Festival, a documentary filmmaker and audio-visual performer, he places emphasis on transdisciplinary approaches between theory and practice.

See CV, publications, films and projects: Here

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4 responses to “Politische Ambivalenzen interkultureller Musik”

  1. […] Elina Duni, Bern > Müslüm, Bern > Tim & Puma Mimi, Zürich > Kate Wax, Genf > Boris Previsic, Zürich > Superterz, Zürich > Simon Berz, Zürich > Ruedi Häusermann, Lenzburg > […]

  2. […] zum Poli-Rap des Untergrunds. Ein Porträt der Musikszene in Belgrad von Thomas Burkhalter (2004). Politische Ambivalenzen interkultureller Musik. Interview mit Boris Previsic (pre-art) über die Herausforderungen interkultureller […]

  3. […] bei interkulturellen Projekten dieser Art sind ambivalent und wohl kaum zu lösen. (Siehe auch Norient-Artikel über Boris Previsic von Thomas Burkhalter). Aber implizieren finanzielle Hierarchien gleich auch […]

  4. […] Elina Duni, Bern > Müslüm, Bern > Tim & Puma Mimi, Zürich > Kate Wax, Genf > Boris Previsic, Zürich > Superterz, Zürich > Simon Berz, Zürich > Ruedi Häusermann, Lenzburg > […]

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