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By Thomas Burkhalter on December 18, 2012
By Thomas Burkhalter on 18 December 2012 in
ACADEMIC
This book offers the first in-depth study of experimental and popular music in Beirut.
Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab |
By Thomas Burkhalter on November 19, 2010
By Thomas Burkhalter on 19 November 2010 in
AUDIO
The Swiss-Italian musician and composer Paed Conca and Lebanese artist Raed Yassin have been working together since 2005 as Duo Praed. The two perform in Turnhalle Bern, this Wednesday, 21.11.2012.
Posted in AUDIO | Tagged Annihaya, Arab World, Beirut, Bern, Dossier Arab World, Dossier World Music 2.0, Free Improvisation, Globale Nischen, Lebanon, Mahmoud El Husseini, Paed Conca, Porta Chiusa, Praed, Raed Yassin, Sonic Traces: From Switzerland, Switzerland |
By Ziad Nawfal on September 24, 2010
By Ziad Nawfal on 24 September 2010 in
AUDIO
The Swiss/Italian musician Paed Conca was the guest of Ruptures for an interview and exclusive live performance.
Posted in AUDIO | Tagged Free Improvisation, Paed Conca, Praed, Raed Yassin, Swiss Music, Switzerland, Tanya Traboulsi |
By Norient on September 18, 2010
By Thomas Burkhalter on 18 September 2010 in
STORIES
Reflections on the new multi-local musical Avant-Gardes of the 21st Century. An essay on the Lebanese musician Tarek Atoui, Luigi Russolo, Mazen Kerbaj and many artists more.
Posted in STORIES | Tagged 2006war, Ahmad Qaboor, Arab World, Avant-Garde, Beirut, Christine Sehnaoui, Cynthia Zaven, Dossier Arab World, Dossier World Music 2.0, Futurism, Globale Nischen, Iannis Xenakis, IRCAM, Khaled al-Habre, Lebanon, Luigi Russolo, Marcel Khalife, Mazen Kerbaj, Musique Concrète, Orientalism, Peter Brötzmann, Philemon Wehbe, Psychedelic Music, Raed Yassin, Scrambled Eggs, Sharif Sehnaoui, Tanya Traboulsi, Tarek Atoui, Violence, War, Xardas |
By Thomas Burkhalter on August 28, 2009
By Thomas Burkhalter and Simon Grab on 28 August 2009 in
AUDIO
Musicians from Beirut talk about their sonic memories from the Lebanese Civil War (1975 – 1990) and the 2006 war between Israel and Hizbullah.
Posted in AUDIO | Tagged Amal, Arab World, Charbel Haber, Cyrille Najjar, Death Metal, Dossier Arab World, Garo Gdanian, Hizbullah, Israel, Lebanese Forces, Lebanon, Mazen Kerbaj, Noise, Propaganda, Raed Yassin, Sonic Memory, The Force, Trauma, Violence, War, Weeping Willow |
By Thomas Burkhalter on August 25, 2008
By Thomas Burkhalter on 25 August 2008 in
AUDIO
Musicians, sound artists and composers from Beijing, Mumbai, Beirut to Sao Paulo, from Istanbul, Belgrade, Lagos to Johannesburg create music and soundscapes that reflect the effects of localisation and globalisation processes on various levels
Posted in AUDIO | Tagged Asmahan, B6, Das Neue Original Appenzeller Streichmusik Projekt, Dossier World Music 2.0, Elias Rahbani, Iranian Orchestra for New Music, Kamilya Jubran, Luc Ferrari, Mahmoud Refat, Mani Matter, Mazen Kerbaj, Mzekezeke, Raed Yassin, Sandeep Bhagwati, Shanghai Sound Unit, Werner Hasler, World Music 2.0, Zimoun |
By Thomas Burkhalter on July 31, 2006
By Thomas Burkhalter on 31 July 2006 in
STORIES
“Everyone longs to return to his childhood, and my childhood simply took place during the war”, says Mazen Kerbaj, a pioneer of free improvised music in Beirut. Thomas Burkhalter takes a look at how years of war have influenced the sound of Lebanese music.
Posted in STORIES | Tagged 2006war, Beirut, Dossier Arab World, Joelle Khoury, Lebanon, Mazen Kerbaj, Raed Yassin, War, Weeping Willow |
