By Theresa Beyer on November 12, 2012
By Theresa Beyer on 12 November 2012 in
VIDEO
(*) In 1932 Fritz Pfleumer invented the magnetic tape – a breeding ground for artists who looked for new compositional techniques. But the pioneers of electronic music not only came from avantgarde-centres like Cologne and Paris.
Posted in VIDEO | Tagged Bruna Maderna, Cairo, Centre for Electronic Music, Cologne, Columbia-Princeton Electronic Music Center, Einhoven, electroacoustic music, Electronic Music, Else Marie Pade, Groupe de Recherche de Musique Concrète, Halim El-Dabh, Herbert Eimert, Jerusalem, Jikken Kobo, John Cage, Josef Tal, Karlheinz Stockhausen, Kid Baltan, Kuniharu Akiyama, Luciano Berio, magnetic tape, Milan, Minao Shibata, Morton Feldman, Musique Concrète, New York School, Otto Luening, Philips Natuurkundig Laboratorium, Pierre Henry, Pierre Schaeffer, sinus tones, Studio d'essai, Studio für elektronische Musik, Tape music, Tokyo, Tom Dissevelt, Toru Takemitsu, Toshiro Mayuzumi, Vladimir Ussachevsky |
By Norient on September 18, 2010
By Thomas Burkhalter on 18 September 2010 in
STORIES
Reflections on the new multi-local musical Avant-Gardes of the 21st Century. An essay on the Lebanese musician Tarek Atoui, Luigi Russolo, Mazen Kerbaj and many artists more.
Posted in STORIES | Tagged 2006war, Ahmad Qaboor, Arab World, Avant-Garde, Beirut, Christine Sehnaoui, Cynthia Zaven, Dossier Arab World, Dossier World Music 2.0, Futurism, Globale Nischen, Iannis Xenakis, IRCAM, Khaled al-Habre, Lebanon, Luigi Russolo, Marcel Khalife, Mazen Kerbaj, Musique Concrète, Orientalism, Peter Brötzmann, Philemon Wehbe, Psychedelic Music, Raed Yassin, Scrambled Eggs, Sharif Sehnaoui, Tanya Traboulsi, Tarek Atoui, Violence, War, Xardas |
