By Norient on February 14, 2013
By Norient on 14 February 2013 in
EVENTS
The new trans-disciplinary, audio-visual performance of NORIENT mixes and manipulates music, sounds, noise and voices from Switzerland.
Posted in EVENTS | Tagged Alex Eugster, Alpentöne, Bauchamp, Bernd Schurer, Bittuner, Boris Previsic, Bruno Spoerri, Carlo Brunner, Cod.Act, Copy & Paste, Creaked Records, Cyril Schläpfer, Da Cruz, Daniel Häusler, Demolition Blues, Die Regierung, Digital Brainstorming, Duo Diatribes, Ear We Are, Eidgenössisches Jodlerfest, Elvira Glaser, Ensemble Phoenix, Ensemble Proton, Filewile, Flo Kaufmann, Fonoteca, Galoppierende Zuversicht, Geigenbauschule Brienz, Gustavo delux, Hans Feigenwinter, Haus der Volksmusik, Hinterzimmer Records, Hula Honeys, Imperial Tiger Orchestra, Iokoi, Jodeln, Joke Lanz, Jonas Kocher, Joy Frempong, Kadebostan, Kara Sylla Ka, Kate Wax, Klibi+Caroline, Kloster Disentis, Kutti MC, La Gale, Lleluja-Ha, Malcolm Braff, Manuel Stahlberger, Marc Stucki, Maria Gehrig, Markus Flückiger, Medienkunst, Meduoteran, Mosibuebä, Müslüm, Nadja Räss, National Fanfare of Kadebostany, Navel, Norbert Möslang, Ot Asoy, Paed Conca, Performance, Praed, Rainer Trübi, Reverend Beat-Man, Round Table Knights, Ruedi Häusermann, Rümlingen, Sebi Schmidig, Simon Berz, Sina, Sonic Traces, Sonic Traces: From Switzerland, Stiller Has, Stini Arn, Sudden Infant, Superterz, Swiss Music, Switzerland, Ted Robert, The National Fanfare of Kadebostany, Tim & Puma Mimi, Transdisziplinarität, Velma, Wael Sami, Yang Jing, Yodeling |
By Norient on January 9, 2013
By Norient on 9 January 2013 in
ACADEMIC
The first Norient book discusses contemporary movements and trends within transnational music scenes between Europe, Africa, Latin-America, Asia and the USA.
Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 |
