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May 22nd 2013 norient
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Mazen Kerbaj

Festival of Experimental Music in Lebanon

Festival of Experimental Music in Lebanon

By Tanya Traboulsi on April 9, 2013

By Tanya Traboulsi on 9 April 2013 in  BLOG

Photography from Irtijal 2013, our favorite festival for experimental music in the Middle East. Plus two comments by festival co-organizer and musician Sharif Sehnaoui.

Posted in BLOG | Tagged Alexandre St-Onge, Alvise Seggi, Anthony Von Seck, Arab World, Balazs Pandi, Beirut, Dao, Dossier Arab World, Gert-Jan Prins, Irtijal Festival, Jim Quilty, Lebanon, Lukas Ligeti, Mazen Kerbaj, Miles, Omar Dewachi, Osman Arabi, Paed Conca, Piero Bittolo Bon, Rabih Beaini, Sam Shalabi, shalabi effect, Sharif Sehnaoui, Thomas Burkhalter, Tommaso Cappellato, Upperground Orchestra, Will Eizlini | Leave a response

Local Music Scenes and Globalization – Transnational Platforms in Beirut

Local Music Scenes and Globalization – Transnational Platforms in Beirut

By Thomas Burkhalter on December 18, 2012

By Thomas Burkhalter on 18 December 2012 in  ACADEMIC

This book offers the first in-depth study of experimental and popular music in Beirut.

Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab | 4 Responses

A journey through noriental Soundscapes

A journey through noriental Soundscapes

By Norient on July 27, 2012

By Norient on 27 July 2012 in  BLOG

In the second selection of our thematic dossiers, norient sensitises your ears for different soundscapes. The individual acoustic environments of Lagos, the Amazonas-forest or Berlin are worth to be listened closely.

Posted in BLOG | Tagged Alan Dunn, Ben Parry, Dossier Soundscape, Emeka Ogboh, Experimental, Koli, Lagos, Libanon, Luigi Russolo, Mazen Kerbaj, Murray Schafer, Noise, Peter Cusack, radio aporee, Simon Berz, sound art, Soundscapes, Soundtrack to a catastrophic world, Steven Feld, Tarek Atoui, The Sound Ethnography Project | Leave a response

Tarek Atoui: Digital Bricolage

Tarek Atoui: Digital Bricolage

By Norient on September 18, 2010

By Thomas Burkhalter on 18 September 2010 in  STORIES

Reflections on the new multi-local musical Avant-Gardes of the 21st Century. An essay on the Lebanese musician Tarek Atoui, Luigi Russolo, Mazen Kerbaj and many artists more.

Posted in STORIES | Tagged 2006war, Ahmad Qaboor, Arab World, Avant-Garde, Beirut, Christine Sehnaoui, Cynthia Zaven, Dossier Arab World, Dossier World Music 2.0, Futurism, Globale Nischen, Iannis Xenakis, IRCAM, Khaled al-Habre, Lebanon, Luigi Russolo, Marcel Khalife, Mazen Kerbaj, Musique Concrète, Orientalism, Peter Brötzmann, Philemon Wehbe, Psychedelic Music, Raed Yassin, Scrambled Eggs, Sharif Sehnaoui, Tanya Traboulsi, Tarek Atoui, Violence, War, Xardas | 3 Responses

War, Propaganda, and Bombs

War, Propaganda, and Bombs

By Thomas Burkhalter on August 28, 2009

By Thomas Burkhalter and Simon Grab on 28 August 2009 in  AUDIO

Musicians from Beirut talk about their sonic memories from the Lebanese Civil War (1975 – 1990) and the 2006 war between Israel and Hizbullah.

Posted in AUDIO | Tagged Amal, Arab World, Charbel Haber, Cyrille Najjar, Death Metal, Dossier Arab World, Garo Gdanian, Hizbullah, Israel, Lebanese Forces, Lebanon, Mazen Kerbaj, Noise, Propaganda, Raed Yassin, Sonic Memory, The Force, Trauma, Violence, War, Weeping Willow | Leave a response

Soundscapes from the Edges

Soundscapes from the Edges

By Thomas Burkhalter on August 25, 2008

By Thomas Burkhalter on 25 August 2008 in  AUDIO

Musicians, sound artists and composers from Beijing, Mumbai, Beirut to Sao Paulo, from Istanbul, Belgrade, Lagos to Johannesburg create music and soundscapes that reflect the effects of localisation and globalisation processes on various levels

Posted in AUDIO | Tagged Asmahan, B6, Das Neue Original Appenzeller Streichmusik Projekt, Dossier World Music 2.0, Elias Rahbani, Iranian Orchestra for New Music, Kamilya Jubran, Luc Ferrari, Mahmoud Refat, Mani Matter, Mazen Kerbaj, Mzekezeke, Raed Yassin, Sandeep Bhagwati, Shanghai Sound Unit, Werner Hasler, World Music 2.0, Zimoun | 1 Response

Tanks for Letting me Hear the War Again

Tanks for Letting me Hear the War Again

By Thomas Burkhalter on July 31, 2006

By Thomas Burkhalter on 31 July 2006 in  STORIES

“Everyone longs to return to his childhood, and my childhood simply took place during the war”, says Mazen Kerbaj, a pioneer of free improvised music in Beirut. Thomas Burkhalter takes a look at how years of war have influenced the sound of Lebanese music.

Posted in STORIES | Tagged 2006war, Beirut, Dossier Arab World, Joelle Khoury, Lebanon, Mazen Kerbaj, Raed Yassin, War, Weeping Willow | Leave a response

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