By Norient on June 6, 2011
By Stefanie Alisch and Nadine Siegert on 6 June 2011 in
ACADEMIC
This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium.
Posted in ACADEMIC | Tagged Africa, Agostinho Neto, Angola, Angolanidade, António Ole, Batida, Brazil, Buraka Som Sistema, carnival, dance, DJ Mpula, DJ Sebem, Dog Murras, Dossier World Music 2.0, Frédéric Galliano, Gerhard Kubik, Global Ghettotech, Globale Nischen, Ikonoklasta, Jorge António, Killamu, kizomba, kuduro, Kuduro - Fogo no Museke, Kwame Appiah, Les Princes de Kuduro, Lisbon, M.I.A, Mário Pinto de Andrade, Marissa Moorman, Muana Po, Ngola Ritmos, O ritmo do Ngola Ritmos, Portugal, Puto Prata, Radio Fazuma, Rainha Ginga, semba, Tony Amado, Viriato da Cruz, World Music 2.0 |
