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May 24th 2013 norient
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Global Ghettotech

Eclectic Dance Music from Kenya

Eclectic Dance Music from Kenya

By Daniel Künzler on March 19, 2013

By Daniel Künzler on 19 March 2013 in  BLOG

Kenyan musician Bamzigi was flying ahead of the current electronic dance music craze from South Africa and Angola. However, his eclectic mix Mizuka resonates more abroad than in Kenya where he is not invited for performances.

Posted in BLOG | Tagged 3050 Muzik, Africa, Bamzigi, Global Ghettotech, Harrison Munio, Mizuka, Mombasa, Necessary Noize, Transnationalism, Wawesh, World Music 2.0 | Leave a response

First Volume of the Norient Academic Online Journal

First Volume of the Norient Academic Online Journal

By David-Emil Wickström on May 23, 2012

By David-Emil Wickström on 23 May 2012 in  ACADEMIC

From bikutsi over funk carioca and gospel to the urban soundscapes of mp3-blogs this issue presents four fascinating articles spanning fieldwork in Germany, Ghana, Cameroon, Brazil and the virtual mp3-blogsphere.

Posted in ACADEMIC, XFEATURED | Tagged cosmopolitanism, Global Ghettotech, naoj v1, norient academic online journal, reflexive ethnography | Leave a response

MP3 Blogging and the Urban Soundscape

MP3 Blogging and the Urban Soundscape

By Portia Seddon on May 23, 2012

By Portia Seddon on 23 May 2012 in  ACADEMIC

Within the past decade, African-, Latin American-, and Caribbean-centered popular music weblogs have emerged as complex mediated spaces of cultural debate and transformation. // Notes on the Ethnography of Mediated Music.

Posted in ACADEMIC | Tagged aesthetics, Awesome Tapes From Africa, Brian Shimkovitz, digital ethnography, DJ Chief Boima, Dossier South Africa, Dossier World Music 2.0, ethnography, ghettotech, Global Ghettotech, MP3, MP3 blogs, naoj v1, norient academic online journal, Reccord Digging, record digging, Soundscapes, South Africa, Strut Records, Urban Music, Wayne Marshall, World Music 2.0 | 2 Responses

From Funkification to Pacification

From Funkification to Pacification

By Gregory Scruggs on May 23, 2012

By Gregory Scruggs and Alexandra Lippman on 23 May 2012 in  ACADEMIC

Re-Sounding Space For a New Rio de Janeiro. // As an anthropologist and urban planning researcher with specialties in music and sound, we have combined our backgrounds to examine the politics of reconstructing soundscapes in Rio de Janeiro.

Posted in ACADEMIC | Tagged Brazil, Dossier World Music 2.0, funk carioca, Ghetto Culture, Global Ghettotech, naoj v1, norient academic online journal, Rio de Janeiro, Soundscapes, World Music 2.0 | 1 Response

Afrolectro & Congotronics

Afrolectro & Congotronics

By Norient on September 16, 2011

By Moses Iten on 16 September 2011 in  AUDIO

Saca La Mois DJ from Melbourne sent us his latest Mixtape.

Posted in AUDIO | Tagged 30IPS, Africa, Al Quetz, Bass Clef Vs Kasai Allstars, Buraka Som Sistema, Congopunq, Cumbia Cosmonauts, Global Ghettotech, Killamu, Konono No1, Ku Bo, Noite Dia, Radioclit, Saca La Mois, Tshetsha Boys | 1 Response

Shangaan Electro: Update from Soweto

Shangaan Electro: Update from Soweto

By Norient on July 1, 2011

By Norient on 1 July 2011 in  VIDEO

Weird computer music, hyperspeed dancing, clown costumes, youtube, serendipitous ringtones. Dutty Artz met the producers in South Africa.

Posted in VIDEO | Tagged Africa, Dossier South Africa, Global Ghettotech, Shangaan, Shangaan Electro, South Africa, World Music 2.0 | 1 Response

Angolanidade revisited – Kuduro

Angolanidade revisited – Kuduro

By Norient on June 6, 2011

By Stefanie Alisch and Nadine Siegert on 6 June 2011 in  ACADEMIC

This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium.

Posted in ACADEMIC | Tagged Africa, Agostinho Neto, Angola, Angolanidade, António Ole, Batida, Brazil, Buraka Som Sistema, carnival, dance, DJ Mpula, DJ Sebem, Dog Murras, Dossier World Music 2.0, Frédéric Galliano, Gerhard Kubik, Global Ghettotech, Globale Nischen, Ikonoklasta, Jorge António, Killamu, kizomba, kuduro, Kuduro - Fogo no Museke, Kwame Appiah, Les Princes de Kuduro, Lisbon, M.I.A, Mário Pinto de Andrade, Marissa Moorman, Muana Po, Ngola Ritmos, O ritmo do Ngola Ritmos, Portugal, Puto Prata, Radio Fazuma, Rainha Ginga, semba, Tony Amado, Viriato da Cruz, World Music 2.0 | 5 Responses

“A History of Now”

“A History of Now”

By Norient on January 17, 2011

By Norient on 17 January 2011 in  VIDEO

“You canʼt Download the Sun” sings Asian Dub Foundation in the title track of their new album. They might be back to represent Zeitgeist: media chaos and violence, rock, electro and world music 2.0.

Posted in VIDEO | Tagged A History of Now, ADF, Asian Dub Foundation, Asian Underground, Bhangra, Chandrasonic, CHI2, Dossier World Music 2.0, Global Ghettotech, London, Nathan “Flutebox” Lee, UK, Violence, War | Leave a response

Dala Dala Soundz

Dala Dala Soundz

By Norient on October 29, 2010

By Norient on 29 October 2010 in  AUDIO

Two guys from Munich bring us the latest sounds from the urban centres of Africa. Listen to their latest mixtape!

Posted in AUDIO | Tagged Africa, Dala Dala Soundz, Dossier World Music 2.0, Global Ghettotech, Outhere Records, World Music 2.0 | Leave a response

Afropunk from the Streets of Dar es Salaam

Afropunk from the Streets of Dar es Salaam

By Norient on October 28, 2010

By Werner Graebner on 28 October 2010 in  STORIES

Jagwa Music: A bricolage of old-style Zaramo drums; a battered stool beaten with sticks; a small Casio hand organ; and singers belting out songs on how to survive in the urban maze of Dar es Salaam.

Posted in STORIES | Tagged Africa, bricolage, Casio, Dar es Salaam, Dossier World Music 2.0, dumbak, Global Ghettotech, globalization, Jagwa, kuduro, lo-fi, Mchiriku, misondo, nzumari, Sauti ya Busara Festival, taarab, Tanzania, World Music 2.0 | 3 Responses

Global Ghettotech Discussions

Global Ghettotech Discussions

By Norient on October 19, 2010

By Norient on 19 October 2010 in  BLOG

A once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion.

Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music 2.0 | Leave a response

Late Summer Mix 2010

Late Summer Mix 2010

By Norient on October 6, 2010

By Norient on 6 October 2010 in  AUDIO

DJ Tillup has produced a Mix for the Democratic Republic of Tam Tam Motherland. Become a member of this great republic!

Posted in AUDIO | Tagged Africa, Cumbia, Cumbia Electrónica, Global Ghettotech, kuduro, reggaeton, Urban Music, World Music 2.0 | Leave a response

Nu Planetary Wot-U-Call-It 2.5.5

Nu Planetary Wot-U-Call-It 2.5.5

By Norient on October 2, 2010

By Norient and Wayne Marshall on 2 October 2010 in  BLOG

Wayne Marshall opened a new discussion on his blog. About World Music, Global Ghettotech and other Genre terms and definitions.

Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music, World Music 2.0 | Leave a response

Tecno Brega from Brazil

Tecno Brega from Brazil

By Norient on August 9, 2010

By Norient on 9 August 2010 in  AUDIO

Great piece of the Tecnobrega sub-genre Eletromelody for your listening pleasure by Maderito e Joe.

Posted in AUDIO | Tagged Brasil, Brega S/A, Documentary Film, Global Ghettotech, Maderito e Joe, Tecno Brega, World Music 2.0 | 2 Responses

Belgrade not always likes the Electronic Trubaci

Belgrade not always likes the Electronic Trubaci

By Robert Rigney on June 3, 2010

By Robert Rigney on 3 June 2010 in  STORIES

Balkan-Beat found its way back from Western Europe to South Eastern Europe. However, Shazalakazoo from Belgrade tell us that not everyone loves their Trubaci-Mixtures back home.

Posted in STORIES | Tagged Balkans, Belgrade, Global Ghettotech | 1 Response

DJ Rupture on World Music 2.0

DJ Rupture on World Music 2.0

By Thomas Burkhalter on December 31, 2009

By Thomas Burkhalter on 31 December 2009 in  BLOG

Peruvian Experimentalists crossbreeding Andean Music with Industrial Noise

Posted in BLOG | Tagged Argentina, Cumbia, DJ Rupture, Global Ghettotech, Latin America, Mexico, World Music 2.0 | Leave a response

Global Ghettotech

Global Ghettotech

By Norient on June 13, 2009

By Camilo Rocha on 13 June 2009 in  STORIES

The Brazilian journalist Camilo Rocha interviews the ethnomusicologist, DJ and norient writer Wayne Marshall about the latest musical trends around the globe: Reggaeton, Kwaito, Kuduro, and Grime.

Posted in STORIES | Tagged beat research, Diplo, Global Ghettotech, Globale Nischen, grime, juke, kuduro, kwaito, M.I.A, reggaeton, Wayne Marshall | Leave a response

All Artists are Anonymous

All Artists are Anonymous

By Gregory Scruggs on May 14, 2008

By Gregory Scruggs on 14 May 2008 in  STORIES

With their CD «Proibidão C.V.: Forbidden Gang Funk from Rio de Janeiro» the US-American Label Sublime Frequencies aims to portrait a moment in time in Brazil. Gregory Scruggs however criticises them as uniformed explorers.

Posted in STORIES | Tagged baile funk, Brasil, Copyrights, Diplo, Dossier World Music 2.0, Favela, Global Ghettotech, Latin America, M.I.A, Sublime Frequencies | 1 Response

“Globalists” seek Peripheral Sounds

“Globalists” seek Peripheral Sounds

By Norient on March 26, 2008

By Camilo Rocha on 26 March 2008 in  STORIES

Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.

Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 | Leave a response

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