Browse: Home / Dossier World Music 2.0
By Thomas Burkhalter on May 3, 2013
By Thomas Burkhalter on 3 May 2013 in
VIDEO
Pictures, videos and tracks from a recent fieldtrip to Cairo – including Mahragan, Electronica, Sound Art, Egyptronica, Experimental Music …
Posted in VIDEO, XFEATURED | Tagged 100copies, Ahmed Basiony, Arab World, Bosaina, Cairo, Cairo Liberation Front, Dossier Arab World, Dossier World Music 2.0, Egypt, EKA3, Electro-sha‘bi, Hussein El-Sherbini, Islam Chipsy, Ismael Hosny, Maghragan, Mahmoud Refat, Maryam Saleh, Maurice Louca, MC Amin, Middle East, Mohammed Antar, Nadia Mounier, Ola Saad, Quit Together, Sadat, sha'bi, Sherine Amr, Society for Arab Music Research, Tamer Abu Ghazaleh, Wetrobots, Yara Mekawei, Zuli |
By Norient on January 9, 2013
By Norient on 9 January 2013 in
ACADEMIC
The first Norient book discusses contemporary movements and trends within transnational music scenes between Europe, Africa, Latin-America, Asia and the USA.
Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 |
By Thomas Burkhalter on December 18, 2012
By Thomas Burkhalter on 18 December 2012 in
ACADEMIC
This book offers the first in-depth study of experimental and popular music in Beirut.
Posted in ACADEMIC | Tagged Abu Arab, Aks’ser, Arab World, Assy Rahbani, Ayat, Beirut, Bellydance, Charbel Haber, Charbel Rouhana, Civil War, Cynthia Zaven, digitalization, Dossier Arab World, Dossier World Music 2.0, Elias Rahbani, ethnography, Ethnomusicology, Exoticism, Fairuz, Garo Gdanian, Ghada Shbeir, globalization, Hizbullah, Joelle Khoury, Katibe 5, Khaled al-Habre, Lebanese Forces, Lebanon, Mahmoud Refat, Mahmoud Turkmani, Mansour Rahbani, Marc Codsi, Marcel Khalife, Mashrou’ Leila, Mazen Kerbaj, Munma, Muslimgauze, Norient, Paed Conca, Popular Music Studies, Praed, Propaganda, Psychedelic Music, Raed Yassin, Rayess Bek, Raymond Azoury, Ruptured Sessions, Sabah, Scrambled Eggs, Sharif Sehnaoui, Soap Kills, Tarab, Tarek Atoui, The Arcane, The Kordz, The New Government, The Sea-ders, Thomas Burkhalter, Toufic Succar, Trauma, Weeping Willow, World Music 2.0, Yasmine Hamdan, Zad Moultaka, Zeid Hamdan, Ziad Sahhab, Ziyad Rahbani, Ziyad Sahhab |
By Portia Seddon on May 23, 2012
By Portia Seddon on 23 May 2012 in
ACADEMIC
Within the past decade, African-, Latin American-, and Caribbean-centered popular music weblogs have emerged as complex mediated spaces of cultural debate and transformation. // Notes on the Ethnography of Mediated Music.
Posted in ACADEMIC | Tagged aesthetics, Awesome Tapes From Africa, Brian Shimkovitz, digital ethnography, DJ Chief Boima, Dossier South Africa, Dossier World Music 2.0, ethnography, ghettotech, Global Ghettotech, MP3, MP3 blogs, naoj v1, norient academic online journal, Reccord Digging, record digging, Soundscapes, South Africa, Strut Records, Urban Music, Wayne Marshall, World Music 2.0 |
By Gregory Scruggs on May 23, 2012
By Gregory Scruggs and Alexandra Lippman on 23 May 2012 in
ACADEMIC
Re-Sounding Space For a New Rio de Janeiro. // As an anthropologist and urban planning researcher with specialties in music and sound, we have combined our backgrounds to examine the politics of reconstructing soundscapes in Rio de Janeiro.
Posted in ACADEMIC | Tagged Brazil, Dossier World Music 2.0, funk carioca, Ghetto Culture, Global Ghettotech, naoj v1, norient academic online journal, Rio de Janeiro, Soundscapes, World Music 2.0 |
By Thomas Burkhalter on April 19, 2012
By Thomas Burkhalter on 19 April 2012 in
STORIES
Grey Filastine survives from performing, runs a mini cap company, gave us great links to music in Indonesia, and recently released his new album £00T. We reached him via E-mail.
Posted in STORIES | Tagged Amélie Bouard, Dossier World Music 2.0, Filastine, Grey Filastine, Homicide, Indonesia, Jalan Surabaya, Ourrad Rabah, Post World Industries, Taring Padi, World Music 2.0, Wukir, Yes No Wave Music, £00T |
By Norient on March 21, 2012
By Norient on 21 March 2012 in
BLOG
On the album “Father Creeper” club-icon Spoek Mathambo from Jo’burg upgrades his unique electro-style with international features. The self-proclaimed “Prince of Townchip Tech” talks about his influences – in a quite serious presentation.
Posted in BLOG | Tagged afro-beat, Ana Rap, Dossier South Africa, Dossier World Music 2.0, Electro-rap, Father Creeper, Gnucci Banana, Johannesburg, kwaito, Malmö, Nthato Mokgata, Playdoe, post-apartheid, post-dubstep, South Africa, Soweto, Spoek Mathambo, Sweat.X, Sweden, World Music 2.0 |
By Eric Mandel on February 15, 2012
By Eric Mandel on 15 February 2012 in
STORIES
Buraka Som Sistema – J-Wow (João Barbosa), DJ Riot (Rui Pité), Kalaf Ângelo, Andro Carvalho and newest member Blaya are in the world of Kuduro key players even though they are – in a way – outsiders, both geographically and sound-wise. An Interview.
Posted in STORIES | Tagged Africa, African Boy, Angola, Buraka Som Sistema, CSS, Deize Tigrona, Diplo, Dossier World Music 2.0, interview, kizomba, Komba, kuduro, Luanda, M.I.A, MC Kalaf Ângelo, Portugal, Rui Pité, World Music 2.0 |
By Manuel Sánchez on December 19, 2011
By Manuel Sánchez on 19 December 2011 in
AUDIO
A new samples selection from the archives of the DJ Cinnamoon project.
Posted in AUDIO | Tagged Arab World, DJ Cinnamoon, Dossier Arab World, Dossier World Music 2.0, Middle East, mixtape, New Wave Dabké, Palestine, Popular Music, Syria |
By Norient on November 21, 2011
By Norient on 21 November 2011 in
ACADEMIC
The Pacific Review of Ethnomusicology (PRE) changed its name to Ethnomusicology Review (EMR). The articles are online. Read this in-depth study of Congotronics bands like Konono No 1.
Posted in ACADEMIC | Tagged Africa, Congo, Congotronics, Dossier World Music 2.0, EMR, Ethnomusicology Review, UCLA, World Music 2.0 |
By Norient on October 19, 2011
By Norient on 19 October 2011 in
BLOG
Together Liberia, a platform for Liberian storytellers, tells the story of Hip-Co, a not yet well-known genre.
Posted in BLOG | Tagged Africa, Dossier World Music 2.0, hip-co, hipco, Liberia, Nasseman, Together Liberia, War |
By Norient on June 6, 2011
By Stefanie Alisch and Nadine Siegert on 6 June 2011 in
ACADEMIC
This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium.
Posted in ACADEMIC | Tagged Africa, Agostinho Neto, Angola, Angolanidade, António Ole, Batida, Brazil, Buraka Som Sistema, carnival, dance, DJ Mpula, DJ Sebem, Dog Murras, Dossier World Music 2.0, Frédéric Galliano, Gerhard Kubik, Global Ghettotech, Globale Nischen, Ikonoklasta, Jorge António, Killamu, kizomba, kuduro, Kuduro - Fogo no Museke, Kwame Appiah, Les Princes de Kuduro, Lisbon, M.I.A, Mário Pinto de Andrade, Marissa Moorman, Muana Po, Ngola Ritmos, O ritmo do Ngola Ritmos, Portugal, Puto Prata, Radio Fazuma, Rainha Ginga, semba, Tony Amado, Viriato da Cruz, World Music 2.0 |
By Norient on May 6, 2011
By Moses Iten on 6 May 2011 in
AUDIO
A selection of the most influential cumbia songs, from its beginnings as Caribbean folk music to the latest digital mutations.
Posted in AUDIO | Tagged Caribbean, Colombia, Cumbia, Cumbia Cosmonauts, Cumbia Electrónica, Dossier World Music 2.0, El Remolon, Latin America, Latinamerica, Melbourne, Moses Iten, Saca La Mois |
By Norient on February 14, 2011
By Norient on 14 February 2011 in
AUDIO
For their series of mixtapes on cities and their sounds, Domus Magazine traveled to Mexico City and catched up with journalist and blogger Daniel Hernandez.
Posted in AUDIO | Tagged Cumbia, Daniel Hernandez, Daniel Perlin, Dossier World Music 2.0, Hip Hop, Latin America, Mexico, Mexico City, Rockabilly, Ska, Tribal Guarachero |
By Norient on January 17, 2011
By Norient on 17 January 2011 in
VIDEO
“You canʼt Download the Sun” sings Asian Dub Foundation in the title track of their new album. They might be back to represent Zeitgeist: media chaos and violence, rock, electro and world music 2.0.
Posted in VIDEO | Tagged A History of Now, ADF, Asian Dub Foundation, Asian Underground, Bhangra, Chandrasonic, CHI2, Dossier World Music 2.0, Global Ghettotech, London, Nathan “Flutebox” Lee, UK, Violence, War |
By Thomas Burkhalter on November 19, 2010
By Thomas Burkhalter on 19 November 2010 in
AUDIO
The Swiss-Italian musician and composer Paed Conca and Lebanese artist Raed Yassin have been working together since 2005 as Duo Praed. The two perform in Turnhalle Bern, this Wednesday, 21.11.2012.
Posted in AUDIO | Tagged Annihaya, Arab World, Beirut, Bern, Dossier Arab World, Dossier World Music 2.0, Free Improvisation, Globale Nischen, Lebanon, Mahmoud El Husseini, Paed Conca, Porta Chiusa, Praed, Raed Yassin, Sonic Traces: From Switzerland, Switzerland |
By Norient on October 29, 2010
By Norient on 29 October 2010 in
AUDIO
Two guys from Munich bring us the latest sounds from the urban centres of Africa. Listen to their latest mixtape!
Posted in AUDIO | Tagged Africa, Dala Dala Soundz, Dossier World Music 2.0, Global Ghettotech, Outhere Records, World Music 2.0 |
By Norient on October 28, 2010
By Werner Graebner on 28 October 2010 in
STORIES
Jagwa Music: A bricolage of old-style Zaramo drums; a battered stool beaten with sticks; a small Casio hand organ; and singers belting out songs on how to survive in the urban maze of Dar es Salaam.
Posted in STORIES | Tagged Africa, bricolage, Casio, Dar es Salaam, Dossier World Music 2.0, dumbak, Global Ghettotech, globalization, Jagwa, kuduro, lo-fi, Mchiriku, misondo, nzumari, Sauti ya Busara Festival, taarab, Tanzania, World Music 2.0 |
By Norient on October 19, 2010
By Norient on 19 October 2010 in
BLOG
A once-obscure music that enjoyed a fanatic embrace in the _______ slums of _______ has become a full-fledged global occasion.
Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music 2.0 |
By Norient on October 2, 2010
By Norient and Wayne Marshall on 2 October 2010 in
BLOG
Wayne Marshall opened a new discussion on his blog. About World Music, Global Ghettotech and other Genre terms and definitions.
Posted in BLOG | Tagged Dossier World Music 2.0, Global Ghettotech, Globale Nischen, Wayne Marshall, World Music, World Music 2.0 |
By Norient on September 18, 2010
By Thomas Burkhalter on 18 September 2010 in
STORIES
Reflections on the new multi-local musical Avant-Gardes of the 21st Century. An essay on the Lebanese musician Tarek Atoui, Luigi Russolo, Mazen Kerbaj and many artists more.
Posted in STORIES | Tagged 2006war, Ahmad Qaboor, Arab World, Avant-Garde, Beirut, Christine Sehnaoui, Cynthia Zaven, Dossier Arab World, Dossier World Music 2.0, Futurism, Globale Nischen, Iannis Xenakis, IRCAM, Khaled al-Habre, Lebanon, Luigi Russolo, Marcel Khalife, Mazen Kerbaj, Musique Concrète, Orientalism, Peter Brötzmann, Philemon Wehbe, Psychedelic Music, Raed Yassin, Scrambled Eggs, Sharif Sehnaoui, Tanya Traboulsi, Tarek Atoui, Violence, War, Xardas |
By Norient on June 27, 2010
By Wayne Marshall on 27 June 2010 in
STORIES
That beat you’ve been hearing — the steady boom-ch-boom-chick rattling the trunks of passing cars and moving masses in the club — isn’t just another fleeting hip-hop trend. It’s the new sound of the Americas.
Posted in STORIES | Tagged Dem Bow, Dossier World Music 2.0, Globale Nischen, Hybridity, Latin America, New York, Panama, Puerto Rico, reggaeton, Transnationalism, Wayne Marshall, World Music 2.0 |
By Thomas Burkhalter on August 25, 2008
By Thomas Burkhalter on 25 August 2008 in
AUDIO
Musicians, sound artists and composers from Beijing, Mumbai, Beirut to Sao Paulo, from Istanbul, Belgrade, Lagos to Johannesburg create music and soundscapes that reflect the effects of localisation and globalisation processes on various levels
Posted in AUDIO | Tagged Asmahan, B6, Das Neue Original Appenzeller Streichmusik Projekt, Dossier World Music 2.0, Elias Rahbani, Iranian Orchestra for New Music, Kamilya Jubran, Luc Ferrari, Mahmoud Refat, Mani Matter, Mazen Kerbaj, Mzekezeke, Raed Yassin, Sandeep Bhagwati, Shanghai Sound Unit, Werner Hasler, World Music 2.0, Zimoun |
By Gregory Scruggs on May 14, 2008
By Gregory Scruggs on 14 May 2008 in
STORIES
With their CD «Proibidão C.V.: Forbidden Gang Funk from Rio de Janeiro» the US-American Label Sublime Frequencies aims to portrait a moment in time in Brazil. Gregory Scruggs however criticises them as uniformed explorers.
Posted in STORIES | Tagged baile funk, Brasil, Copyrights, Diplo, Dossier World Music 2.0, Favela, Global Ghettotech, Latin America, M.I.A, Sublime Frequencies |
By Norient on March 26, 2008
By Camilo Rocha on 26 March 2008 in
STORIES
Most DJs direct their ears to a few musical Meccas in the First World, such as New York, London, Berlin, and Paris. This decade, however, a new category has emerged, globalist DJs who go much further in their musical explorations.
Posted in STORIES | Tagged Diplo, DJ Dolores, DJ Rupture, Dossier World Music 2.0, Ghislain Poirier, Global Ghettotech, Globale Nischen, M.I.A, Maga Bo, Transnationalism, Wayne Marshall, World Music 2.0 |
