(*) Mehr als Eisbären: Elektronische Musik in der Schweiz

By Marcus Maeder on August 8, 2012

By Marcus Maeder on 8 August 2012 in ACADEMIC

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Posted in ACADEMIC | Tagged Acid, Acid-House, Alvin Lucier, Amon Düül, Andres Bosshard, Andy Guhl, Arvo Pärt, Autonomes Jugendzentrum AJZ, Berlin, Bernhard Günter, Cabaret Voltaire, Can, Chris Carter, Christian Marclay, Cluster, Coil, Cosey Fanny Tutti, COUM Transmissions, cultural studies, Dada, DAF, Death Factory, Depeche Mode, der Plan, Die Form, Donna Summer, Düsseldorf, EBM, Einstürzende Neubauten, Elektropop, Ernst Thoma, experimentelle Musik, Fad Gadget, Franziska Lingg, Freejazz, G*Park, Genesis P-Orridge, Giorgio Moroder, Grauzone, Günter Müller, György Ligeti, Hafler Trio, Hans-Rudolf Lutz, Iannis Xenakis, Industrial, Industrial Records, Jaques Widmer, John Cage, Joseph Beuys, Joy Division, Kraftwerk, Krautrock, London, Luc Ferraris, Luigi Nono, Magda Vogel, Mani Neumeier, Mark Terkessidis, Matterhorn Project, Monte Cazzaza, Musicstore 2000, Musique Concrète, Nachtluft, Neofolk, Neue Deutsche Welle, Neue Musik, New Order, New Wave, Nitzer Ebb, Noise, Organum, P16.D4, Peter Christopherson, Philipp Glass, Pierre Schaeffer, Pop, Popkultur, Post-Industrial, Punk, Ralf Wehowsky, Ratinger Hof, Rock, Rote Fabrik, Selektion, Sonic Traces: From Switzerland, Sound, Stephan Eicher, StuZ, Tangerine Dream, Techno, Thomas Groetz, Throbbing Gristle, Tom Holert, Touch el Arab, Unknownmix, Voice Crack, Yello, Young Gods, Zoviet*France | Leave a response

Tags: Acid / Acid-House / Alvin Lucier / Amon Düül / Andres Bosshard / Andy Guhl / Arvo Pärt / Autonomes Jugendzentrum AJZ / Berlin / Bernhard Günter / Cabaret Voltaire / Can / Chris Carter / Christian Marclay / Cluster / Coil / Cosey Fanny Tutti / COUM Transmissions / cultural studies / Dada / DAF / Death Factory / Depeche Mode / der Plan / Die Form / Donna Summer / Düsseldorf / EBM / Einstürzende Neubauten / Elektropop / Ernst Thoma / experimentelle Musik / Fad Gadget / Franziska Lingg / Freejazz / G*Park / Genesis P-Orridge / Giorgio Moroder / Grauzone / Günter Müller / György Ligeti / Hafler Trio / Hans-Rudolf Lutz / Iannis Xenakis / Industrial / Industrial Records / Jaques Widmer / John Cage / Joseph Beuys / Joy Division / Kraftwerk / Krautrock / London / Luc Ferraris / Luigi Nono / Magda Vogel / Mani Neumeier / Mark Terkessidis / Matterhorn Project / Monte Cazzaza / Musicstore 2000 / Musique Concrète / Nachtluft / Neofolk / Neue Deutsche Welle / Neue Musik / New Order / New Wave / Nitzer Ebb / Noise / Organum / P16.D4 / Peter Christopherson / Philipp Glass / Pierre Schaeffer / Pop / Popkultur / Post-Industrial / Punk / Ralf Wehowsky / Ratinger Hof / Rock / Rote Fabrik / Selektion / Sonic Traces: From Switzerland / Sound / Stephan Eicher / StuZ / Tangerine Dream / Techno / Thomas Groetz / Throbbing Gristle / Tom Holert / Touch el Arab / Unknownmix / Voice Crack / Yello / Young Gods / Zoviet*France

Author:

Marcus Maeder

Marcus Maeder is a sound artist and composer. He studied Art at the University of Applied Sciences and Arts of Lucerne and is currently pursuing a Master’s degree in Philosophy at the University of Hagen. Maeder runs the music label domizil, which he co-founded in 1996 with Bernd Schurer. He has worked as an editor and producer for the Swiss radio station DRS and has been working as a curator at the Institute for Computer Music and Sound Technology of the Zurich University of the Arts since 2005. His artistic work focuses mainly on computer music and the artistic and media extensions of the term. As an author, Maeder has written on a number of topics in the fields of sound art and digital media. www.domizil.ch