By Thomas Burkhalter on Januar 27, 2011
By Thomas Burkhalter on 27 Januar 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By Simon Grab on August 12, 2010
By Simon Grab on 12 August 2010 in
AUDIO
Ein Mash-Up Mix mit urbanen Sounds aus der arabischen Welt.
Posted in AUDIO | Tagged Adbak ma’a Aassi, Aks’ser, Ali ad-Deek, Anwar Iskander, Arab World, Beirut, Cairo, Charbel Haber, Checkpoint 303, Clotaire K, DAM, Dossier Arab World, Hanoueh, Kita Ayoun, La Chambre, Lumi, Majeed ar-Ramah, Munma, New Wave Dabké, Omar Souleyman, Rabih al-Asmar, Ramallah Underground, Rayess Bek, RGB, Scrambled Eggs, Shift Z, Soap Kills, The New Government, Urban Music, Whitetrashbubblegum, Zeid Hamdan |
