ACADEMIC
Academic articles, scientific posts…
By David-Emil Wickström on April 29, 2013
By David-Emil Wickström on 29 April 2013 in
ACADEMIC
When drawing on music from far away places musicians have often focused on “otherness” and “difference”. The 3rd volume of the Norient Academic Online Journal (NAOJ) aims to explore these representations that have emerged in the 21st century.
Posted in ACADEMIC | Tagged 3. Norient Academic Journal, call for articles, David-Emil Wickström, Jeroen De Kloet, Jesse Wheeler, Julio Mendivil, naoj v3, norient academic online journal, Oliver Seibt, Thomas Burkhalter |
By Norient on Januar 9, 2013
By Norient on 9 Januar 2013 in
ACADEMIC
Das erste Norient-Buch diskutiert Zeitfragen und Trends im globalisierten Musikschaffen zwischen Europa, Afrika, Lateinamerika, Asien und den USA.
Posted in ACADEMIC, XFEATURED | Tagged 2012, Africa, Afrofunk, Ali Al Deek, Alois Lüönd, Alpentöne, Ana Tijoux, Anja Brunner, Aubrey Edwards, Barbara Mürdter, Beirut, Ben Harbert, Benedikt Sartorius, Bikutsi, Cameroon, Cumbia, daggering, dance, David Rovics, Die Antwoord, DJ Marcelle, Dossier World Music 2.0, Duboka Ilegala, Ethnomusicology, Field Notes, Filastine, Flurina Rothenberger, FOKN Bois, Free Pussy, Ghana, globalization, Grey Filastine, grime, Highlife, Hip Hop, Hiplife, Hyperpop, Indonesia, Irtijal Festival, Jamaica, Jay Retludge, Jeremy Wallach, Joahnnes Rühl, Julio Mendivil, Kadebostany, Karin Scheidegger, Kink Gong, Laurent Jeannau, London Riots 2011, Marcel Ötiker, Mario Venzago, Milena Krstic, Moses Iten, Mosibuebä, Musiqa Sha'biyya, National Fanfare of Kadebostany, Neo-Tropicália, Neue Volksmusik, New Orleans, New Wave Cumbia, New Wave Dabké, Norient012, Occupy, Outhere Records, Perreo, Philipp Rhensius, Popular Music Studies, Portia Seddon, Pussy Riot, record digging, Refpolk, Retromania, Sampling, Schweiz, Selina Novak, Senegal, Shayna Silverstein, Shonegrad O'Connor, Sissy Bounce, Sonic Traces: From Switzerland, Sookee, Stefan Franzen, Stubete am See, Syria, Tanya Traboulsy, Tanz dich frei, Taraf de Haïdouks, Theresa Beyer, Thomas Burkhalter, Thomas Haferlach, Togo, Traversion, Voodoohop, Vuvuzela, Wayne Marshall, Weltmusik, Weltmusik 2.0, Wildlife, Woody Guthrie, World Music 2.0 |
By Sarah Ross on September 7, 2012
By Sarah Ross on 7 September 2012 in
ACADEMIC
Die Geschichte des jiddischen Tangos ist eine Geschichte der Anpassung, der Grenzverschiebung und -überwindung. Aus den Einwanderer-Quartieren in Buenos Aires reiste er ans New York Yiddish Theatre und bald auch nach Europa.
Posted in ACADEMIC | Tagged Abraham Brudno, Abraham Ellstein, Alberto Gerchunoff, Argentinien, Brodman-Alfaro Sextett, Buenos Aires, Candide, Eduardo Makaroll, Franz Ruttner, Gauchos, Hermann Jablokow, Jacob Kalichs, Jevel Katz, Jiddischer Tango, Jose Schumajer, Juan Carlos Cohan, Katriel Brydo, Klezmer, Llioca Czackis, Max Perlman, Molly Piccon, Mordechaj Gebirtig, Mosesville, Moshe Broderson, New York, Orquesta Tipica Bachicha, Osteuropa, Pablo Aslan, Philippe Cohen-Solal, Pinchas Goldfarb, Pole Paul Godwin, Rikle Gleser, Shmerke Kaczerginski, Tango, Tango Argentino, Yiddish Tango, Zully Goldfarb |
By Marcus Maeder on August 8, 2012
By Marcus Maeder on 8 August 2012 in
ACADEMIC
Mit Impulsen aus der Performance-Kunst und dem Klangbewusstsein von Industrial, New Wave und Elektropop wurde elektronische Musik auch in der Schweiz Teil der Popkultur. Teil I: Geschichte und Kontext.
Posted in ACADEMIC | Tagged Acid, Acid-House, Alvin Lucier, Amon Düül, Andres Bosshard, Andy Guhl, Arvo Pärt, Autonomes Jugendzentrum AJZ, Berlin, Bernhard Günter, Cabaret Voltaire, Can, Chris Carter, Christian Marclay, Cluster, Coil, Cosey Fanny Tutti, COUM Transmissions, cultural studies, Dada, DAF, Death Factory, Depeche Mode, der Plan, Die Form, Donna Summer, Düsseldorf, EBM, Einstürzende Neubauten, Elektropop, Ernst Thoma, experimentelle Musik, Fad Gadget, Franziska Lingg, Freejazz, G*Park, Genesis P-Orridge, Giorgio Moroder, Grauzone, Günter Müller, György Ligeti, Hafler Trio, Hans-Rudolf Lutz, Iannis Xenakis, Industrial, Industrial Records, Jaques Widmer, John Cage, Joseph Beuys, Joy Division, Kraftwerk, Krautrock, London, Luc Ferraris, Luigi Nono, Magda Vogel, Mani Neumeier, Mark Terkessidis, Matterhorn Project, Monte Cazzaza, Musicstore 2000, Musique Concrète, Nachtluft, Neofolk, Neue Deutsche Welle, Neue Musik, New Order, New Wave, Nitzer Ebb, Noise, Organum, P16.D4, Peter Christopherson, Philipp Glass, Pierre Schaeffer, Pop, Popkultur, Post-Industrial, Punk, Ralf Wehowsky, Ratinger Hof, Rock, Rote Fabrik, Selektion, Sonic Traces: From Switzerland, Sound, Stephan Eicher, StuZ, Tangerine Dream, Techno, Thomas Groetz, Throbbing Gristle, Tom Holert, Touch el Arab, Unknownmix, Voice Crack, Yello, Young Gods, Zoviet*France |
By Anja Brunner on Mai 23, 2012
By Anja Brunner on 23 Mai 2012 in
ACADEMIC
(*) Encountering Cameroonian Pop Music in Yaoundé and the Challenge of Similarity. // In this paper, Bikutsi pop is discussed within the framework of collective “aesthetic cosmopolitanism” as proposed by Motti Regev.
Posted in ACADEMIC | Tagged aesthetic cosmopolitanism, Africa, Beti, Bikutsi, Cameroon, cosmopolitanism, K-Tino, Lady Ponce, Majoie, Majoie Ayi, Motti Regev, naoj v1, norient academic online journal, World Music |
By Florian Carl on Mai 23, 2012
By Florian Carl on 23 Mai 2012 in
ACADEMIC
(*) Ghanaian Gospel Music, Born-Again Christianity, and the Nonconformity of the Ethnographer. // This discussion of the gospel phenomenon in Ghana will be framed by a critical reflection on ethnomusicological methodology.
Posted in ACADEMIC | Tagged Africa, Christianity, ethnography, Ghana, gospel, gospel highlife, Highlife, naoj v1, norient academic online journal, Pentecostal, Popular Music |
By Portia Seddon on Mai 23, 2012
By Portia Seddon on 23 Mai 2012 in
ACADEMIC
(*) Within the past decade, African-, Latin American-, and Caribbean-centered popular music weblogs have emerged as complex mediated spaces of cultural debate and transformation. // Notes on the Ethnography of Mediated Music.
Posted in ACADEMIC | Tagged aesthetics, Awesome Tapes From Africa, Brian Shimkovitz, digital ethnography, DJ Chief Boima, Dossier South Africa, Dossier World Music 2.0, ethnography, ghettotech, Global Ghettotech, MP3, MP3 blogs, naoj v1, norient academic online journal, Reccord Digging, record digging, Soundscapes, South Africa, Strut Records, Urban Music, Wayne Marshall, World Music 2.0 |
By Gregory Scruggs on Mai 23, 2012
By Gregory Scruggs and Alexandra Lippman on 23 Mai 2012 in
ACADEMIC
(*) Re-Sounding Space For a New Rio de Janeiro. // As an anthropologist and urban planning researcher with specialties in music and sound, we have combined our backgrounds to examine the politics of reconstructing soundscapes in Rio de Janeiro.
Posted in ACADEMIC | Tagged Brazil, Dossier World Music 2.0, funk carioca, Ghetto Culture, Global Ghettotech, naoj v1, norient academic online journal, Rio de Janeiro, Soundscapes, World Music 2.0 |
By David-Emil Wickström on Januar 30, 2012
By David-Emil Wickström on 30 Januar 2012 in
ACADEMIC
(*) In order to maintain a consistent style within the Norient Academic Online Journal these submission guidelines should be followed.
Posted in ACADEMIC | Tagged norient academic online journal, style sheet |
By Norient on Dezember 26, 2011
By Marc Dietrich and Martin Seeliger on 26 Dezember 2011 in
ACADEMIC
Zur Inszenierung von deutschen Rappern im Spannungsfeld von kultureller Tradition und politischem Diskurs. – «Bitte erzählt mir nix von Gangstarap, meine Jungs da draußen würden 50 Cent erstechen.»
Posted in ACADEMIC | Tagged 4 4 da mess, 50 Cent, A-zad, afro-american culture, Aggro Berlin, Azad, Bambi, Boogie Down Productions, Bushido, Conscious Rap, Da Fource, Dr. Dre, Eazy-E, Gangsta-Rap, Gangster, Ghetto Culture, ghetto tech, Global Ghettotech, globalization, Hip Hop, Ice Cube, Ice-T, Migration, Mobb Deep, Moses P, N.W.A., Niggaz With Attitude, PA Sports, prostitution, Public Enemy, Rap, Realness, Schoolly D, Snoop Dogg, USA, Violence, Warheit, weapons, Westside Connection |
By Norient on März 29, 2011
By Norient on 29 März 2011 in
ACADEMIC
«Wanbani»: Die neue CD von Kamilya Jubran und Werner Hasler ist das eindrückliche Resultat einer langjährigen Zusammenarbeit.
Posted in ACADEMIC |
By Thomas Burkhalter on Januar 27, 2011
By Thomas Burkhalter on 27 Januar 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By David-Emil Wickström on Januar 15, 2011
By David-Emil Wickström on 15 Januar 2011 in
ACADEMIC
(*) Norient is looking for academic articles on popular music in Asia, Africa and Latin America. This call for articles will result in the first volume and issue of the norient academic online journal.
Posted in ACADEMIC | Tagged call for articles, norient academic online journal |
By Norient on Juni 1, 2010
By Norient on 1 Juni 2010 in
ACADEMIC
Der Transcript-Verlag macht einen grossen Teil der veröffentlichten Beiträge zur Popularmusikforschung kostenlos im Volltext verfügbar.
Posted in ACADEMIC | Tagged ASPM, Popular Music, Popular Music Studies |
By Helena Simonett on Oktober 1, 2007
By Helena Simonett on 1 Oktober 2007 in
ACADEMIC
Die auf Tubas und Pauken gespielte Banda-Musik stammt ursprünglich aus dem Nordwesten Mexikos. In der modernen Variante des Techno-Banda ist diese Musik in Los Angeles ab den 90er Jahren sehr populär geworden. Für die einen gilt sie als Mafia-, Banditen- und Drogenmusik, für die anderen als Ausdruck der gesellschaftspolitischen Realitäten vieler Mexikaner in den USA.
Posted in ACADEMIC | Tagged Banda, Chalino Sanchez, Corrido, Drugs, Latin America, Los Angeles, Los Tigres del Norte, Malverde, Mexico, Narco, Nortena, Technobanda, USA |
