ACADEMIC
Academic articles, scientific posts…
By norient on April 19, 2012
By norient on 19 April 2012 in
ACADEMIC
Notions of Prospective Musics in Utopian Movies and Literature. – Call for Articles for norient academic journal Vol. II.
Posted in ACADEMIC | Tagged call for articles, norient academic online journal |
By norient on December 26, 2011
By Marc Dietrich and Martin Seeliger on 26 December 2011 in
ACADEMIC
Zur Inszenierung von deutschen Rappern im Spannungsfeld von kultureller Tradition und politischem Diskurs. – «Bitte erzählt mir nix von Gangstarap, meine Jungs da draußen würden 50 Cent erstechen.»
Posted in ACADEMIC, XFEATURED | Tagged 4 4 da mess, 50 Cent, A-zad, afro-american culture, Aggro Berlin, Azad, Bambi, Boogie Down Productions, Bushido, Conscious Rap, Da Fource, Dr. Dre, Eazy-E, Gangsta-Rap, Gangster, Ghetto Culture, ghetto tech, Global Ghettotech, globalization, Hip Hop, Ice Cube, Ice-T, Migration, Mobb Deep, Moses P, N.W.A., Niggaz With Attitude, PA Sports, prostitution, Public Enemy, Rap, Realness, Schoolly D, Snoop Dogg, USA, Violence, Warheit, weapons, Westside Connection |
By norient on November 21, 2011
By norient on 21 November 2011 in
ACADEMIC
The Pacific Review of Ethnomusicology (PRE) changed its name to Ethnomusicology Review (EMR). The articles are online. Read this in-depth study of Congotronics bands like Konono No 1.
Posted in ACADEMIC | Tagged Africa, Congo, Congotronics, Dossier World Music 2.0, EMR, Ethnomusicology Review, UCLA, World Music 2.0 |
By norient on June 6, 2011
By Stefanie Alisch and Nadine Siegert on 6 June 2011 in
ACADEMIC
This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium.
Posted in ACADEMIC | Tagged Africa, Agostinho Neto, Angola, Angolanidade, António Ole, Batida, Brazil, Buraka Som Sistema, carnival, dance, DJ Mpula, DJ Sebem, Dog Murras, Dossier World Music 2.0, Frédéric Galliano, Gerhard Kubik, Global Ghettotech, Globale Nischen, Ikonoklasta, Jorge António, Killamu, kizomba, kuduro, Kuduro - Fogo no Museke, Kwame Appiah, Les Princes de Kuduro, Lisbon, M.I.A, Mário Pinto de Andrade, Marissa Moorman, Muana Po, Ngola Ritmos, O ritmo do Ngola Ritmos, Portugal, Puto Prata, Radio Fazuma, Rainha Ginga, semba, Tony Amado, Viriato da Cruz, World Music 2.0 |
By norient on May 4, 2011
By Jeroen Groenewegen on 4 May 2011 in
ACADEMIC
After twenty years of frustration and marginality, Zuoxiao Zuzhou recently reinvented himself as trickster and became a cult-hero.
Posted in ACADEMIC | Tagged Ai Weiwei, Asia, Badhead, Beijing, Beijing East Village, China, Cui Jian, Gu Changwei, Jia Zhang-ke, Li Zhanyang, Modern Sky, Rock Music, sheng, Wang Xufang, Xie Tianxiao, Yang Fudong, Yang Shaobin, Zuoxiao Zuzhou |
By Michael Spahr on February 9, 2011
By Michael Spahr on 9 February 2011 in
ACADEMIC
Nikos Papastergiadis speaks about the globalization of culture and its meaning for people and institutions involved in the world of the arts.
Posted in ACADEMIC | Tagged art, art and the contemporary imaginary, digitalization, globalization, Nikos Papastergiadis, trans-cultural, Transcultural flows |
By Thomas Burkhalter on January 27, 2011
By Thomas Burkhalter on 27 January 2011 in
ACADEMIC
Musiker aus Afrika, Asien und Lateinamerika formulieren selbstbewusste nach-koloniale Positionen. Ihre Parodien auf Exotika und der Fokus auf Gewalt zeigen aber: Alte Abhängigkeiten haben weiterhin Bestand.
Posted in ACADEMIC | Tagged Adham Hafez, Avant-Garde, baile funk, baltimore club, beat research, Beatniks, Beirut, Cairo, Charbel Haber, Checkpoint 303, Cumbia, Cynthia Zaven, detroit ghettotech, Die Antwoord, digitalization, Diplo, DJ Rupture, Dossier Arab World, Dossier World Music 2.0, Dubsided, dubstep, Exotica, Favela Chic, Gazelle, Ghislain Poirier, glitch, Global Ghettotech, Globale Nischen, globalization, grime, Halim al-Daph, Hassan Khan, Jagwa, K'Naan, Kode 9, kuduro, kwaito, Luigi Russolo, M.I.A, Mad Decent, Mahmoud Refat, Major Lazer, Man Recordings, Mazen Kerbaj, Music 2.0, Nortec, Omar Souleyman, Osman Arabi, Outhere Records, Pastiche, postcolonial, postmodern, Raed Yassin, Ramsi Lehner, reggaeton, Schlachthofbronx, Scrambled Eggs, Secousse, Shangaan, Shangaan Electro, Steve Goodman, Tam Tam Motherland, Tarek Atoui, Tashweesh, Terry Lynn, The Hardcore Continuum, Thementage2012, UK Funky, Veit Erlmann, War, Wayne Marshall, Werner Jauk, Wildlife, World Music 2.0 |
By David-Emil Wickström on January 15, 2011
By David-Emil Wickström on 15 January 2011 in
ACADEMIC
Norient is looking for academic articles on popular music in Asia, Africa and Latin America. This call for articles will result in the first volume and issue of the norient academic online journal.
Posted in ACADEMIC | Tagged call for articles, norient academic online journal |
By David-Emil Wickström on June 29, 2010
By David-Emil Wickström on 29 June 2010 in
ACADEMIC
David-Emil Wickström, by drawing on his fieldwork in St. Petersburg, discusses the emergence and practice of reggae and ska in St. Petersburg (Russia) from the perspective of transcultural flows.
Posted in ACADEMIC | Tagged Ackee Ma-Ma Urban Reggae Band, Europe, Leningrad, Post-Soviet popular music, Reggae, Reggistan, Russia, Ska, Ska-punk, St. Petersburg, Svoбода/Svoboda, Transcultural flows, Ulf Hannerz |
By norient on June 1, 2010
By norient on 1 June 2010 in
ACADEMIC
norient is preparing a call for papers for its academic journal.
Posted in ACADEMIC |
By norient on June 1, 2010
By norient on 1 June 2010 in
ACADEMIC
Der Transcript-Verlag macht einen grossen Teil der veröffentlichten Beiträge zur Popularmusikforschung kostenlos im Volltext verfügbar.
Posted in ACADEMIC | Tagged ASPM, Popular Music, Popular Music Studies |
By Laura Martinez on June 14, 2008
By Laura Martinez on 14 June 2008 in
ACADEMIC
Laura Martinez analyzes Mexican Rock music as system of sharp social distinctions based on musical taste, language, and dress. Furthermore, rock music creates a dialogue between the culture of different groups, opening a possible path to overcome isolation and Otherness.
Posted in ACADEMIC | Tagged Botellita de Jerez, Café Tacuba, Control Machete, Cultural Imperialism, El Gran Silenco, Hybridity, Latin America, Mexico, Rock Music |
By Helena Simonett on October 1, 2007
By Helena Simonett on 1 October 2007 in
ACADEMIC
Die auf Tubas und Pauken gespielte Banda-Musik stammt ursprünglich aus dem Nordwesten Mexikos. In der modernen Variante des Techno-Banda ist diese Musik in Los Angeles ab den 90er Jahren sehr populär geworden. Für die einen gilt sie als Mafia-, Banditen- und Drogenmusik, für die anderen als Ausdruck der gesellschaftspolitischen Realitäten vieler Mexikaner in den USA.
Posted in ACADEMIC | Tagged Banda, Chalino Sanchez, Corrido, Drugs, Latin America, Los Angeles, Los Tigres del Norte, Malverde, Mexico, Narco, Nortena, Technobanda, USA |
By Thomas Burkhalter on June 3, 2006
By Thomas Burkhalter on 3 June 2006 in
ACADEMIC
A plea for more intercultural musical exchanges between Switzerland and the Balkans, presented at the International Symposium «Urban Music in the Balkans» in Tirana 2006.
Posted in ACADEMIC | Tagged Albania, Balkans, Switzerland, Thementage2012 |
By norient on March 29, 2006
By norient on 29 March 2006 in
ACADEMIC
«Wanbani»: Die neue CD von Kamilya Jubran und Werner Hasler ist das eindrückliche Resultat einer langjährigen Zusammenarbeit.
Posted in ACADEMIC |