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Stefanie Alisch

Stefanie Alisch is a musicologist and dj from Berlin, she currently works as research assistant at the music archive of Iwalewa-Haus. She researches on kuduro as a PhD candidate of the Bayreuth International Graduate School of African Studies. Alisch studied musicology, Portuguese and English at the Humboldt-Universität zu Berlin and completed with her Magister paper „Tell me, Tell me, Can you Feel the Vibe ? Broken Beat in London“, which included field research in London. In 1997 Alisch started djing as Stef the Cat. Through djing, running a bar in the infamous Berlin living room scene and adminstering Jazzanova’s publishing affairs she qualified for the Red Bull Music Academy in Dublin in 2000. This intense exchange with djs and music industry experts spawned international collaborations. In 2003/2004 she spent a year studying ethnomusicology at UFBA (Salvador da Bahia, Brazil) while conductiong field research on Afro-Brazilian rhythms as well as djing and promoting music events with local djs. Own radio shows led her to teach radio making at HKW, Hamburger Bahnhof and Edith Ruß Haus für Medienkunst. In 2009 she founded the Groove Research Institute Berlin. Main research insterests: kuduro, groove, music and bodily-performative practices in the Black Atlantic, female hip hop, farsi pop, cultural transfer in the lusophonic realm.

Angolanidade revisited – Kuduro

Angolanidade revisited – Kuduro

By Stefanie Alisch on June 6, 2011

By Stefanie Alisch and Nadine Siegert on 6 June 2011 in  ACADEMIC

This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium.

Posted in ACADEMIC | Tagged Africa, Agostinho Neto, Angola, Angolanidade, António Ole, Batida, Brazil, Buraka Som Sistema, carnival, dance, DJ Mpula, DJ Sebem, Dog Murras, Dossier World Music 2.0, Frédéric Galliano, Gerhard Kubik, Global Ghettotech, Globale Nischen, Ikonoklasta, Jorge António, Killamu, kizomba, kuduro, Kuduro - Fogo no Museke, Kwame Appiah, Les Princes de Kuduro, Lisbon, M.I.A, Mário Pinto de Andrade, Marissa Moorman, Muana Po, Ngola Ritmos, O ritmo do Ngola Ritmos, Portugal, Puto Prata, Radio Fazuma, Rainha Ginga, semba, Tony Amado, Viriato da Cruz, World Music 2.0 | 5 Responses

Arabesque  vs Schweizerbesque

Arabesque vs Schweizerbesque

By Stefanie Alisch on January 18, 2011

By Stefanie Alisch on 18 January 2011 in  STORIES

2/5 BZ, DVJ MyTube YouSpace, BerBat Söksal – the Istanbul based multi-media artist Serhat Köksal has been evolving a slew of aliases over the past 28 years. On 12.1.2011 he performs at the 2. Norient Musikfilm Festival in Bern, Switzerland.

Posted in STORIES | Tagged 2/5 BZ, Ajda Pekkan, Amirali Ghazemi, Arabesk, BerBat Söksal, Biennial of Teheran, Gözel Mecmuasi, Gözel Radio, Istanbul, Serhat Köksal, Suudi Yilmaz, Tuncer Aydinoglu, Turkey, Yorgo Ilidais, «Arabesk – Gossensound und Massenpop» | Leave a response

Arabesk: Von Schmerz zu Kommerz

Arabesk: Von Schmerz zu Kommerz

By Stefanie Alisch on January 1, 2011

By Stefanie Alisch on 1 January 2011 in  VIDEO

Mittwoch 12.1.2011. Der Film «Arabesk – Gossensound und Massenpop» eröffnet die türkische Arabesk-Nacht in der Turnhalle im PROGR. Serhat Köksal (2/5 BZ) stellt Arabesk anschliessend in seiner Sound und Video Performance vor.

Posted in VIDEO | Tagged 2. Norient Musikfilm Festival, 2/5 BZ, Arabesk, bee-flat, Bern, Cem Kaya, Hakki Bulut, Istanbul, Politics, PROGR, PROGR Bern, Serhat Köksal, Switzerland, Turkey, «Arabesk – Gossensound und Massenpop» | 2 Responses

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